N,year of publication,name of the NIME,authors of the paper (and the NIME),hard \ soft,how it works,link to the paper,comments \ errors
1,2001,The MATRIX ,Dan Overholt,hard,Multipurpose Array of Tactile Rods for Interactive eXpression. It gives users a 3dimensional tangible interface to control music using their hands.,https://nime.org/proc/overholt2001/index.html,
2,2001,The Accordiatron,"Michael Gurevich, Stephan von Muehlen",hard,MIDI controller for real-time performance based on the paradigm of a conventional squeeze box or concertina,https://nime.org/proc/gurevich2001/index.html,
3,2002,The Hyperbow,Diana Young,hard,violin interface,https://nime.org/proc/young2002/index.html,
4,2002,The Mutha Rubboard Controller,"Carr Wilkerson, Stefania Serafin, Carmen Ng",hard,"a musical controller based on the rubboard, washboard or frottoir metaphor commonly used in the Zydeco music genre of South Louisiana",https://nime.org/proc/wilkerson2002/index.html,
5,2002,The Beatbug Network,"Gil Weinberg, Roberto Aimi, Kevin Jennings",hard,"hand-held percussive instruments that allow the creation, manipulation, and sharing of rhythmic motifs through a simple interface",https://nime.org/proc/weinberg2002/index.html,
6,2002,Tongue `n' Groove,"Florian Vogt, Graeme Mccaig, Mir A. Ali, Sidney S. Fels",hard,musical controller which acquires imaging data of the tongue with a two-dimensional medical ultrasound scanner,https://nime.org/proc/vogt2002/index.html,
7,2002,THE PLANK,"Bill Verplank, Michael Gurevich, Max Mathews",hard,repurposed HD. has only one axis of force-feedback with limited range of motion,https://nime.org/proc/verplank2002/index.html,
8,2002,sutoolz 1.0 alpha,"Jordan Wynnychuk, Richard Porcher, Lucas Brajovic, Marko Brajovic, and Nacho Platas",soft,3D software interface for music performance,https://nime.org/proc/wynnychuk2002/index.html,
9,2002,Audiopad,"James Patten, Ben Recht, and Hiroshi Ishii",hard,aims to combine the modularity of knob based controllers with the expressive character of multidimensional tracking interfaces,https://nime.org/proc/patten2002/index.html,
10,2002,The MIKEY Project,"Roberto Oboe, and Giovanni De Poli",hard,"a virtual keyboard, capable of reproducing the tactile feedback of several musical instruments is reported",https://nime.org/proc/oboe2002/index.html,
11,2002,The vBow,Charles Nichols,hard,"a virtual violin bow haptic human-computer interface, which senses bow position with encoders",https://nime.org/proc/nichols2002/index.html,
12,2002,the 2Hearts System,"Graeme Mccaig, and Sidney S. Fels",hard, a music system controlled bythe heartbeats of two people,https://nime.org/proc/mccaig2002/index.html,
13,2002,The Vodhran,"Mark T. Marshall, Matthias Rath, and Breege Moynihan",hard,"idea used is based on that of the traditional Bodhran instrument, an Irish frame drum",https://nime.org/proc/marshall2002/index.html,
14,2002,The Electronic Tabla Controller,"Ajay Kapur, Georg Essl, Philip L. Davidson, and Perry R. Cook",hard,The E-Tabla controls both sound and graphics simultaneously,https://nime.org/proc/kapur2002/index.html,
15,2002,The Termenova,"Leila Hasan, Nicholas Yu, and Joseph A. Paradiso",hard,combines a free-gesture capacitive sensing device with an optical sensing system that detects the reflection of a hand when it intersects a beam of an array of red lasers,https://nime.org/proc/hasan2002/index.html,
16,2002,Circular Optical Object Locator,"Tim Hankins, David Merrill, and Jocelyn Robert",hard,a collaborative and cooperative music-making device,https://nime.org/proc/hankins2002/index.html,
17,2002,Tooka,"Sidney S. Fels, and Florian Vogt",hard,"three new music controllers, each designed to be played by two players",https://nime.org/proc/fels2002/index.html,
18,2002,the Metasaxophone,Matthew Burtner,hard,acoustic tenor saxophone retrofitted with an onboard computer microprocessor and an array of sensors that convert performance data into MIDI control messages,https://nime.org/proc/burtner2002/index.html,
19,2002,The Video-Organ,"Bert Bongers, and Yolande Harris",hard, an instrument for the live performance of audio-visual material,https://nime.org/proc/bongers2002/index.html,
20,2002,JAM-O-WORLD,"Tina Blaine, and Clifton Forlines",hard,the Jam-O-Drum multi-player musical controller and its adaptation into a gaming controller interface known as the Jam-O-Whirl,https://nime.org/proc/blaine2002/index.html,
21,2003,EoBody1,"Emmanuel Fléty, and Marc Sirguy",hard, sensor to MIDIinterface,https://nime.org/proc/flety2003/index.html,
22,2003,Sodaconductor,"David Muth, and Ed Burton",soft,a musical interface for generating OSCcontrol data based on the dynamic physical simulation,https://nime.org/proc/muth2003/index.html,
23,2003,Sonic Banana,Eric Singer,hard,Bend-Sensor-Based MIDI Controller,https://nime.org/proc/singer2003/index.html,
24,2003,BASIS,Mat Laibowitz,hard,musical interface based on a DNA-like double-helix and concepts in character generation,https://nime.org/proc/laibowitz2003/index.html,
25,2003,SensorBox,"Jesse T. Allison, and Timothy Place",hard,"a low cost, low latency, high-resolutioninterface for obtaining gestural data from sensors",https://nime.org/proc/allison2003/index.html,
26,2003,The Hyper-Flute,Cléo Palacio-Quintin,hard,"a standard Boehm flute (the model used is a Powell 2100, made in Boston) extended via electronic sensors",https://nime.org/proc/palacioquintin2003/index.html,
27,2003,LEMUR GuitarBot,"Eric Singer, Kevin Larke, and David Bianciardi",hard, a robotic musical instrument composed of four independent MIDI controllable single-stringed movable bridge units,https://nime.org/proc/singer2003a/index.html,
28,2003,Pointing Fingers,"Jean-Michel Couturier, and Daniel Arfib",hard, the user directly touches ascreen where graphical objects are displayed and can useseveral fingers simultaneously to interact with the objects,https://nime.org/proc/couturier2003/index.html,
29,2003,Block Jam,"Henry Newton-Dunn, Hiroaki Nakano, and James Gibson",hard,a Tangible UserInterface that controls a dynamic polyrhythmic sequencerusing 26 physical artifacts,https://nime.org/proc/newtondunn2003/index.html,
30,2003,MidiGrid,"Andy D. Hunt, and Ross Kirk",soft,"is a computer-based musical instrument, primarily controlled with the computer mouse, which allows live performance of MIDI-based musical material by mapping 2dimensional position onto musical events. Invented in 1987.",https://nime.org/proc/hunt2003/index.html,
31,2003,E-mic,"Donna Hewitt, and Ian Stevenson",hard," gestural controller interface for contemporary vocal performance and electronic processing, based on a microphone stand",https://nime.org/proc/hewitt2003/index.html,
32,2003,the Mouthesizer,"Michael J. Lyons, Michael Haehnel, and Nobuji Tetsutani",soft,a system which uses a headworn miniature camera and computer vision algorithm to extract shape parameters from the mouth opening and output these as MIDIcontrol changes,https://nime.org/proc/lyons2003/index.html,
33,2003,Duet Musical Companion,"David Ventura, and Kenji Mase",hard,a sensor-doll interface as a musical outlet forpersonal expression,https://nime.org/proc/ventura2003/index.html,
34,2003,the BentoBox,Motohide Hatanaka,hard,A dual handheld electronic musical instrument.,https://nime.org/proc/hatanaka2003/index.html,
35,2003,the reacTable* & FMOL,Sergi Jordà,hard,"identifies Sonigraphical Instruments. And describes emrgence of The reacTable* - a collaborative music instrument, which employs computer vision and tangible interfaces technologies.",https://nime.org/proc/jorda2003/index.html,
36,2003,Mixxx,Tue H. Andersen,hard, DJ software system with augmented turntables,https://nime.org/proc/andersen2003/index.html,
37,2003,The STRIMIDILATOR,Marije A. Baalman,hard,uses the deviation and the vibration of strings as MIDI-controllers,https://nime.org/proc/baalman2003/index.html,
38,2003,THE PIPE,Gary Scavone,hard,"an experimental, general purpose music input device designed and built in the form of a compact MIDI wind controller",https://nime.org/proc/scavone2003/index.html,
39,2003,HyperPuja,"Diana Young, and Georg Essl",hard,"controller that closely mimicks the behavior of a Tibetan Singing Bowl rubbed with a ""puja"" stick",https://nime.org/proc/young2003/index.html,
40,2003,the EpipE,"Cormac Cannon, Stephen Hughes, and Sile O'Modhrain",hard,expressive electronic music controller based on the Irish Uilleann Pipes,https://nime.org/proc/cannon2003/index.html,
41,2004,The Stranglophone,Michael E. Sharon,hard,an expressive gestural MIDI interface,https://nime.org/proc/sharon2004/index.html,
42,2004,16padjoystickcontroller,Takuro M. Lippit,hard,a realtime sampling system for theturntablist,https://nime.org/proc/lippit2004/index.html,
43,2004,Light Pipes,"Sook Y. Won, Humane Chan, and Jeremy Liu",hard,A Light Controlled MIDI Instrument,https://nime.org/proc/won2004/index.html,
44,2004,Le SuperPolm and BodySuit,"Suguru Goto, and Takahiko Suzuki",hard,"refers to Neural Network, as well as a brief introduction of the Virtual Musical Instrument",https://nime.org/proc/goto2004/index.html,
45,2004,StickMusic,Hans-Christoph Steiner,soft,"an instrument comprised of two haptic devices, a joystick and a mouse, which control a phase vocoder in real time",https://nime.org/proc/steiner2004/index.html,
46,2004,the SillyTone Squish Factory,"Geoffrey C. Morris, Sasha Leitman, and Marina Kassianidou",hard,a haptically engaging musical interface,https://nime.org/proc/morris2004/index.html,
47,2004,Epipe,"Stephen Hughes, Cormac Cannon, and Sile O'Modhrain",hard,follow up on Epipe from 2003; woodwind controller with continuous tonehole coverage sensing,https://nime.org/proc/hughes2004/index.html,
48,2004,The Slidepipe,Mark Argo,hard,a performance controller that gives the artist a visually simple way to work with their material,https://nime.org/proc/argo2004/index.html,
49,2004,EyeMusic,"Anthony J. Hornof, and Linda Sato",soft,a system that uses eye movements as an input to electronic music compositions,https://nime.org/proc/hornof2004/index.html,
50,2004,ism,"Katsuhisa Ishida, Tetsuro Kitahara, and Masayuki Takeda",soft,Improvisation Supporting System based on Melody Correction,https://nime.org/proc/ishida2004/index.html,
51,2004, The Live Cinema,Michael Lew,soft,"a cross between a musical instrument and a film editing tool, tailored for improvisational control as well as performance presence",https://nime.org/proc/lew2004/index.html,
52,2004,Aura II,Roger B. Dannenberg,soft,"a software platform to facilitate highly interactive systems that combine audio signal processing, sophisticated control, sensors, computer animation, video processing, and graphical user interfaces",https://nime.org/proc/dannenberg2004/index.html,
53,2004,ThumbTec,Philippe S. Zaborowski,hard,general purpose input device for the thumb or finger that is useful in a wide variety of applications from music to text entry,https://nime.org/proc/zaborowski2004/index.html,
54,2004,Thermoscore,"Homei Miyashita, and Kazushi Nishimoto",hard,a musical score form-that dynamically alters the temperature of the instrument/player interface,https://nime.org/proc/miyashita2004/index.html,
55,2004,Auracle,"Chandrasekhar Ramakrishnan, Jason Freeman, and Kristjan Varnik",soft,"a ""group instrument,"" controlled by the voice, for real-time, interactive, distributed music making over the Internet",https://nime.org/proc/ramakrishnan2004/index.html,
56,2004,The Squiggle,Brian Sheehan,hard,"a musical instrument that addresses some of these issues, using scanned synthesis coupled to a ""smart"" physical system",https://nime.org/proc/sheehan2004/index.html,
57,2004,PebbleBox and CrumbleBag,"Sile O'Modhrain, and Georg Essl",hard,"examples of a granular interaction paradigm, in which the manipulation of physical grains of arbitrary material becomes the basis for interacting with granular sound synthesis models",https://nime.org/proc/omodhrain2004/index.html,
58,2004,Diskotron,Nikita Pashenkov,hard, interface for musical performance which utilizes a record-player turntable augmented with a computation engine and a high-density optical sensing array,https://www.nime.org/proceedings/2004/nime2004_064.pdf,
59,2004,Daisyphone,"Nick Bryan-Kinns, and Patrick G. Healey",soft, an interface for remote group music improvisation and composition,https://nime.org/proc/bryankinns2004/index.html,
60,2004,AoBachi,"Diana Young, and Ichiro Fujinaga",hard, interface for Japanese drumming techniques and styles,https://nime.org/proc/young2004/index.html,
61,2004,The Electronic Sitar Controller,"Ajay Kapur, Ariel J. Lazier, Philip L. Davidson, Scott Wilson, and Perry R. Cook",hard,"digitally modified version of Saraswati's (the Hindu Goddess ofMusic) 19-stringed, pumpkin shelled, traditional North Indianinstrument",https://nime.org/proc/kapur2004/index.html,
62,2004,Tooka,"Sidney S. Fels, Linda Kaastra, Sachiyo Takahashi, and Graeme Mccaig",hard,folow up on Tooka from 2002,https://nime.org/proc/fels2004/index.html,
63,2005,Soundstone,Adam Bowen,hard,a small wireless music controller that tracks movement and gestures,https://nime.org/proc/bowen2005/index.html,
64,2005,The WiSe Box,Emmanuel Fléty,hard, wireless digitizing interface for sensors and controllers,https://nime.org/proc/flety2005/index.html,
65,2005,Bubbaboard and Mommaspeaker,Derek Wang,hard,the transformation of an everyday object into a digital musical instrument,https://nime.org/proc/wang2005/index.html,
66,2005,Swayway,"Mauricio Melo, and Doria Fan",hard,audio/MIDI device inspired by the simpleconcept of the wind chime,https://nime.org/proc/melo2005/index.html,
67,2005,Sonictroller,"David Hindman, and Spencer Kiser",hard,reverse-engineering a popular video gameconsole,https://nime.org/proc/hindman2005/index.html,
68,2005,VIFE _alpha v.01,"David Rodríguez, and Iván Rodríguez",hard,Virtual Interface to Feel Emotions,https://nime.org/proc/rodriguez2005/index.html,
69,2005,OROBORO,"Jennifer Carlile, and Björn Hartmann",hard, collaborative controller which focuses on musical performance as social experience by exploring synchronized actions of two musicians,https://nime.org/proc/carlile2005/index.html,
70,2005,The Airstick,Ivan Franco,hard,"an array of infrared proximity sensors, which allow the mapping of the position of any interfering obstacle inside a bi-dimensional zone",https://nime.org/proc/franco2005/index.html,
71,2005,BeatBoxing,"Robert Lugo, and Jack Damondrick",hard,a percussive gestural interface for the liveperformance of electronic music and control of computerbased games and musical activities,https://nime.org/proc/lugo2005/index.html,
72,2005,SoniMime,"Jesse Fox, and Jennifer Carlile",hard,sonification of hand movement for real-time timbre shaping,https://nime.org/proc/fox2005/index.html,
73,2005,Spinner,"Shigeru Kobayashi, and Akamasu Masayuki",hard,One physical controller corresponds to one GUI controller on a PC’s display device. a user can build a reconfigurable user interface,https://nime.org/proc/kobayashi2005/index.html,
74,2005,the Pin&Play&Perform,"Nicolas Villar, Adam T. Lindsay, and Hans Gellersen",hard,"an interface inthe form of a tablet on which a number of physical controlscan be added, removed and arranged on the fly",https://nime.org/proc/villar2005/index.html,
75,2005,Bangarama,"Laszlo Bardos, Stefan Korinek, Eric Lee, and Jan Borchers",hard,a music controller using headbanging as the primary interaction metaphor,https://nime.org/proc/bardos2005/index.html,
76,2005,The wahwactor,"Alex Loscos, and Thomas Aussenac",hard,a voice controlled wah-wah pedal,https://nime.org/proc/loscos2005/index.html,
77,2005,boomBox,Jamie Allen,hard,"a wireless, orientation-aware low-frequency, high-amplitude human motion controller for live and sampled sound",https://nime.org/proc/allen2005/index.html,
78,2005,pd2j2me and Pocket Gamelan,"Greg Schiemer, and Mark Havryliv",soft,"pd2j2me allows musical applications composed for
performance on mobile phones to be simulated using Pure Data. ",https://nime.org/proc/schiemer2005/index.html,
79,2005,The HandySinger,"Tomoko Yonezawa, Takahiko Suzuki, Kenji Mase, and Kiyoshi Kogure",hard, a personified tool developed to naturally express a singing voice controlled by the gestures of a hand puppet,https://nime.org/proc/yonezawa2005/index.html,
80,2005,The Metasurface,Ross Bencina,soft,a mapping interface supporting interactive design of two-to-many mappings with AudioMulch software,https://nime.org/proc/bencina2005/index.html,
81,2005,MnM,"Frédéric Bevilacqua, Rémy Müller, and Norbert Schnell",soft,the Max/MSP toolbox  dedicated to mapping between gesture andsound,https://nime.org/proc/bevilacqua2005/index.html,
82,2005,McBlare,"Roger B. Dannenberg, Ben Brown, Garth Zeglin, and Ron Lupish",hard,A Robotic Bagpipe Player,https://nime.org/proc/dannenberg2005/index.html,
83,2005,WISEAR (Wireless Sensor Array) ,"David Topper, and Peter V. Swendsen",hard,"a Linux based Embeddedx86 TS-5600 SBC (Single Board Computer) specifically configured for use with music, dance and video performance technologies",https://nime.org/proc/topper2005/index.html,
84,2005,Scrubber,"Georg Essl, and Sile O'Modhrain",hard,a general controller for friction-induced sound,https://nime.org/proc/essl2005/index.html,
85,2005,Orb3,"Dan Livingstone, and Eduardo Miranda",hard,3 wireless mobile globes that collect and share environmental data and user interactions to synthesize and diffuse sound material in real time,https://nime.org/proc/livingstone2005/index.html,
86,2005,Teabox,"Jesse T. Allison, and Timothy Place",hard,A Sensor Data Interface System,https://nime.org/proc/allison2005/index.html,
87,2005,Gyrotyre,"Elliot Sinyor, and Marcelo M. Wanderley",hard,A dynamic hand-held computer-music controller based on a spinning wheel,https://nime.org/proc/sinyor2005/index.html,
88,2005,SCUBA,"Juan Pablo Cáceres, Gautham J. Mysore, and Jeffrey Treviño",hard,Self-Contained Unified Bass Augmenter,https://nime.org/proc/caceres2005/index.html,
89,2005,The Overtone Violin,Dan Overholt,hard,Augmented violin,https://nime.org/proc/overholt2005/index.html,
90,2005,The iltur and Beatbugs,"Gil Weinberg, and Scott Driscoll",hard, interaction between expert and novice musicians through a set of musical controllers called Beatbugs,https://nime.org/proc/weinberg2005/index.html,
91,2005,The Victorian Synthesizer and other Infra-Instruments,"John Bowers, and Phil Archer",hard,"infra-instruments as devices of restricted interactive potential, with little sensor enhancement, which engender simple musics with scarce opportunity for conventional virtuosity",https://nime.org/proc/bowers2005/index.html,
92,2006,Hyperbow,"Diana Young, Patrick Nunn, and Artem Vassiliev ",hard,a custom music controller first designed for use in violin performance,https://nime.org/proc/young2006/index.html,
93,2006,The Augmented Djembe Drum,"Teemu Maki-Patola, Perttu Hamaainen, and Aki Kanerva",hard,a camera inside Djembe,https://nime.org/proc/makipatola2006/index.html,
94,2006,Hyper-shaku (Border-Crossing),"Kirsty Beilharz, Joanne Jakovich, and Sam Ferguson",hard,an interactive sensor environment that uses motion sensors to trigger immediate response,https://nime.org/proc/beilharz2006/index.html,
95,2006,GAINER,"Shigeru Kobayashi, Takanori Endo, Katsuhiko Harada, and Shosei Oishi",hard,A Reconfigurable {I/O} Module and Software Libraries for Education,https://nime.org/proc/kobayashi2006/index.html,
96,2006,The Light Matrix,Jonathan Pak,hard,explores bidirectional properties of a matrix of LEDs,https://nime.org/proc/pak2006/index.html,
97,2006,the Augmented Trombone,"Serge Lemouton, Marco Stroppa, and Benny Sluchin",hard,experimental system dedicated to the optical detection ofthe position of a trombone's slide,https://nime.org/proc/lemouton2006/index.html,
98,2006,Meta-Instrument 3,"Serge de Laubier, and Vincent Goudard",hard," a transductor meant to measure precisely and digitalize
the musician gesture",https://nime.org/proc/delaubier2006/index.html,
99,2006,GRASSP,"Bob Pritchard, and Sidney S. Fels",hard,"Gesturally-Realized Audio, Speech and Song Performance",https://nime.org/proc/pritchard2006/index.html,
100,2006,CALM Synthesizer,"Nicolas d'Alessandro, Christophe d'Alessandro, Sylvain Le Beux, and Boris Doval",hard,gesture controlled voice synthesis,https://nime.org/proc/dalessandro2006/index.html,
101,2006,conga,"Eric Lee, Ingo Grüll, Henning Keil, and Jan Borchers",soft,a software framework that enables automatic recognition and interpretation ofconducting gestures,https://nime.org/proc/lee2006/index.html,
102,2006,MICON,"Jan Borchers, Aristotelis Hadjakos, and Max Mühlhäuser",hard," electronic music stand extending Maestro!, the latest in a series of interactive conducting exhibits",https://nime.org/proc/borchers2006/index.html,
103,2006,Camera Musicale,Jacques Remus,soft,hand movements tracker based on camera,https://nime.org/proc/remus2006/index.html,
104,2006,Pin\&Play\&Perform,"John Bowers, and Nicolas Villar",hard,modular controller system,https://nime.org/proc/bowers2006/index.html,
105,2006,Sound Rose,"Alain Crevoisier, Cedric Bornand, Arnaud Guichard, Seiichiro Matsumura, and Chuichi Arakawa",hard,touch-sensistive audio-visual table,https://nime.org/proc/crevoisier2006/index.html,
106,2006,scoreTable*,"Sergi Jordà, and Marcos Alonso",hard,interactive music score editor based on reacTable,https://nime.org/proc/jorda2006/index.html,
107,2006,GXtar,"Loïc Kessous, Julien Castet, and Daniel Arfib",hard, guitar-like musical controller,https://nime.org/proc/kessous2006/index.html,
108,2006,TENORI-ON,"Yu Nishibori, and Toshio Iwai",hard,"collab with Yamaha. A 16x16 matrix of LED switches
allows everyone to play music intuitively, creating a “visible
music” interface.",https://nime.org/proc/nishibori2006/index.html,
109,2006,Sensemble,"Ryan Aylward, and Joseph A. Paradiso",hard,"Wireless, Compact, Multi-User Sensor System for Interactive Dance",https://nime.org/proc/aylward2006/index.html,
110,2006,JamSpace,Michael Gurevich,hard,Collaborative Networked Music Space,https://nime.org/proc/gurevich2006/index.html,
111,2006,SonicJumper Composer,D. Andrew Stewart,hard,"gesture controller, body suit",https://nime.org/proc/stewart2006/index.html,
112,2006,The Gluion,Sukandar Kartadinata,hard,a sensor interface that was designed to overcome some of the limitations of more traditional designs,https://nime.org/proc/kartadinata2006/index.html,
113,2006,Orbophone,"Damien Lock, and Greg Schiemer",hard,interface that radiates rather thanprojects sound and image,https://nime.org/proc/lock2006/index.html,
114,2006,The G-Spring Controller,"Denis Lebel, and Joseph Malloch",hard,large spring,https://nime.org/proc/lebel2006/index.html,
115,2006,PETECUBE,Peter Bennett,hard,"cubes, based on multi-modla feedback",https://nime.org/proc/bennett2006/index.html,
116,2006,The Chopping Board,Jason Lee,hard,sample-chopping controller,https://nime.org/proc/lee2006a/index.html,
117,2006,spinCycle,Spencer Kiser,hard,a Color-Tracking Turntable Sequencer,https://nime.org/proc/kiser2006/index.html,
118,2006,The Frequencyliator,"Pedro Rebelo, and Alain B. Renaud",soft,system for for Networked Laptop Improvisation,https://nime.org/proc/rebelo2006/index.html,
119,2006,Pocket Gamelan,"Greg Schiemer, and Mark Havryliv",soft,follow up with Pocket Gamelan from 2005,https://nime.org/proc/schiemer2006/index.html,
120,2006,CaMus,"Michael Rohs, Georg Essl, and Martin Roth",soft,using mobile phone cameras and visual grid tracking ,https://nime.org/proc/rohs2006/index.html,
121,2007,The Music Cre8tor,"Jane Rigler, and Zachary Seldess",hard, Interactive System for Musical Exploration and Education,https://nime.org/proc/rigler2007/index.html,
122,2007,Loop-R,Rui Pereira,hard," a real-time video performance tool, based in the exploration of low-tech, used technology and human engineering research",https://nime.org/proc/estrada2007/index.html,
123,2007,Eobody2,"Marc Sirguy, and Emmanuelle Gallin",hard,Eobody's Technology sensors pack extention,https://nime.org/proc/sirguy2007/index.html,"not this, but in general 2007 has a bunch of performance pieces descriptions as proceedings"
124,2007,Mountain Guitar,"Junichi Kanebako, James Gibson, and Laurent Mignonneau",hard,enables musical expression through a custom-made sensor technology,https://nime.org/proc/kanebako2007/index.html,for some reason this has two papers in one
125,2007,Phenakistoscope player,"Saburo HIRANO, Hitoshi AKAYAMA, Shinta INOUE",hard,CV based turnatable,- \\ - same as above,
126,2007,TouchBox,"Paolo Bottoni, Riccardo Caporali, Daniele Capuano, Stefano Faralli, Anna Labella, and Mario Pierro",hard,"a Dual-Core DSP in a Low-Cost, Touch-Screen Based Musical Instrument",https://nime.org/proc/bottoni2007/index.html,
127,2007,Project Scriabin v.3,Chang Min Han,soft, an interactive implementation of Alexander Scriabin’s experimentation with “opposite mapping direction”,https://nime.org/proc/han2007/index.html,
128,2007,Freqtric Drums,"Tetsuaki Baba, Taketoshi Ushiama, and Kiyoshi Tomimatsu",hard,"corporal electronic instrument that allows us not only to recover face-to-face communication, but also makes possible body-to-body communication",https://nime.org/proc/baba2007/index.html,
129,2007,Articulated Paint,"André Knörig, Boris Müller, and Reto Wettach",hard,a new musical interface that utilizes the close relationship between gestural expression in the act of painting and that of playing a musical instrument,https://nime.org/proc/knorig2007/index.html,
130,2007,VR-RoBoser,"Sylvain le Groux, Jonatas Manzolli, and Paul F. Verschure",soft,Real-Time Adaptive Sonification of Virtual Environments Based on Avatar Behavior,https://nime.org/proc/groux2007/index.html,
131,2007,The Lambent Reactive,Noah H. Keating,hard,An Audiovisual Environment for Kinesthetic Playforms,https://nime.org/proc/keating2007/index.html,
132,2007,The MIDI Pick,Roy Vanegas,hard,"rigger Serial Data , Samples, and MIDI from a Guitar Pick",https://nime.org/proc/vanegas2007/index.html,
133,2007,SIMTE,"Daniel Gómez, Tjebbe Donner, and Andrés Posada",soft,Graphically Controlled Digital Musical Instrument,https://nime.org/proc/gomez2007/index.html,
134,2007,JamiOki-PureJoy,"Benjamin Vigoda, and David Merrill",soft,PD looper with input from a joystick controller and headset microphone,https://nime.org/proc/vigoda2007/index.html,
135,2007,jPop-E ,"Mitsuyo Hashida, Noriko Nagata, and Haruhiro Katayose",soft, (java-based PolyPhrase Ensemble); Assistant System for Performance Rendering of Ensemble Music,https://nime.org/proc/hashida2007/index.html,
136,2007,EyesWeb XMI ,"Antonio Camurri, Paolo Coletta, Giovanna Varni, and Simone Ghisio",soft,eXtended Multimodal Interaction for EyesWeb platform,https://nime.org/proc/camurri2007a/index.html,
137,2007,The FrankenPipe,"Turner Kirk, and Colby Leider",hard,a Bagpipe-like controller capable of driving both realtime synthesis on a laptop as well as a radio-controlled (RC) car.,https://nime.org/proc/kirk2007/index.html,
138,2007,The DAMPER,"Peter Bennett, Nicholas Ward, Sile O'Modhrain, and Pedro Rebelo",hard,"s a simple one-degreeof-freedom interface consisting of two handles connected to a
magneto-rheological fluid brake, based on Laban's theory of effort.",https://www.nime.org/proceedings/2007/nime2007_273.pdf,
139,2007,The WaveSaw,"Luke Dahl, Nathan Whetsell, and John Van Stoecker",hard,A Flexible Instrument for Direct Timbral Manipulation,https://nime.org/proc/dahl2007/index.html,
140,2007,The ColorDex DJ System,"Nicolas Villar, Hans Gellersen, Matt Jervis, and Alexander Lang",hard,interface prototype for live music mixing,https://nime.org/proc/villar2007/index.html,
141,2007,The Samchillian Tip Tip Tip Cheeepeeeee,Leon Gruenbaum,soft,A Relativistic Keyboard Instrument,https://nime.org/proc/gruenbaum2007/index.html,
142,2007,Cyber Kendang,Yoichi Nagashima,hard,augmented traditional musical instrument of Indonesia,https://nime.org/proc/nagashima2007/index.html,
143,2007, the Wrist-Conductor,"Arthur Clay, and Dennis Majoe",hard,gestural control using the GPS Time Mark,https://nime.org/proc/clay2007/index.html,
144,2007,B-Keeper,"Andrew Robertson, and Mark D. Plumbley",soft,a reatime beat tracking system implemented in Java and Max/MSP,https://nime.org/proc/robertson2007/index.html,
145,2007,Chroma Palette,"Justin Donaldson, Ian Knopke, and Chris Raphael",soft,Chromatic Maps of Sound As Granular Synthesis Interface,https://nime.org/proc/donaldson2007/index.html,
146,2007,Celeritas,"Giuseppe Torre, Mikael Fernström, Brendan O'Flynn, and Philip Angove",hard,Wearable Wireless System of sensors,https://nime.org/proc/fernstrom2007/index.html,
147,2007,ParticleTecture,"Joanne Jakovich, and Kirsty Beilharz",soft,a CV-based tracking soundspace installation system that extends spatial perception of ordinary architectural space through gestural interaction with sound in space,https://nime.org/proc/jakovich2007/index.html,
148,2007,Schwelle,"Marije A. Baalman, Daniel Moody-Grigsby, and Christopher L. Salter",hard,multi-layered sound design generated by continuous input from a series of distributed wireless sensors deployed both on the body of a performer and placed within the physical stage environment,https://nime.org/proc/baalman2007/index.html,
149,2007,REXband,"Eric Lee, Marius Wolf, Yvonne Jansen, and Jan Borchers",hard,"audio-only system consists of three digitally augmented medieval instrument replicas: thehurdy gurdy, harp, and frame drum",https://nime.org/proc/lee2007a/index.html,
150,2007,CaMus 2,"Michael Rohs, and Georg Essl",soft,follow up on CaMus from 2006. allows collaborative performance with mobile camera phones,https://nime.org/proc/rohs2007/index.html,
151,2007,Ashitaka,"Niall Moody, Nick Fells, and Nicholas Bailey",hard,audiovisual instrument with custom physical controller based on original methodology,https://nime.org/proc/moody2007/index.html,
152,2007,nJam,Nicolas Bouillot,soft,jMAX object for Remote Musical Interaction from Milliseconds to Seconds,https://nime.org/proc/bouillot2007/index.html,
153,2007,Mobile Clavier,"Yoshinari Takegawa, and Tsutomu Terada",hard,Keyboard with black keys inserted between any two side-by-side white keys,https://nime.org/proc/takegawa2007/index.html,
154,2007,HandSketch,"Nicolas d'Alessandro, and Thierry Dutoit",hard,"bi-manual gestural controller, composed of purchasable devices like pen tablet and pressure-sensing surfaces ",https://nime.org/proc/dalessandro2007/index.html,
155,2007, the ThummerTM,"Garth Paine, Ian Stevenson, and Angela Pearce",hard,provides thirteen simultaneous degrees of freedom,https://nime.org/proc/paine2007/index.html,
156,2007,The T-Stick,"Joseph Malloch, and Marcelo M. Wanderley",hard, a family of digital musical instruments: sticks with sensors,https://nime.org/proc/malloch2007/index.html,
157,2007,the Multimodal Music Stand (MMMS) ,"Bo Bell, Jim Kleban, Dan Overholt, Lance Putnam, John Thompson, and JoAnn Morin-Kuchera",hard,"Using e-field sensing, audio analysis, and computer vision, the MMMS captures a performer's continuous expressive gestures and robustly identifies discrete cues in a musical performance",https://nime.org/proc/bell2007/index.html,
158,2007,the Orchestra Explorer,"Antonio Camurri, Corrado Canepa, and Gualtiero Volpe",soft,CV-based system allows users to physically navigate inside a virtual orchestra,https://nime.org/proc/camurri2007/index.html,
159,2007,Oculog,"Juno Kim, Greg Schiemer, and Terumi Narushima",soft,CV-based system for performing electronic music where a video-based eye movement recording system,https://nime.org/proc/kim2007/index.html,
160,2007,Zstretch,"Angela Chang, and Hiroshi Ishii",hard,A Stretchy Fabric Music Controller,https://nime.org/proc/chang2007/index.html,
161,2007,PHYSMISM,"Niels Bottcher, Steven Gelineck, and Stefania Serafin",hard,A Control Interface for Creative Exploration of Physical Models,https://nime.org/proc/b2007/index.html,
162,2008,The Musical Synchrotron,"Michiel Demey, Marc Leman, Frederick Bossuyt, and Jan Vanfleteren",hard,Wireless Motion Sensors to Study How Social Interaction Affects Synchronization with Musical Tempo,https://nime.org/proc/demey2008/index.html,
163,2008,The Cyclotactor,Staas de Jong,hard,finger-based I/O device,https://nime.org/proc/dejong2008/index.html,
164,2008,Gluisax,"Stuart Favilla, Joanne Cannon, Tony Hicks, Dale Chant, and Paris Favilla",hard,augmented and metasaxophone interface/instruments,https://nime.org/proc/favilla2008/index.html,
165,2008,Note-Scroller,"Robert Macrae, and Simon Dixon",soft,educational keyboard based game interface,https://nime.org/proc/macrae2008/index.html,
166,2008,GO,Eva Sjuve,hard,wireless wearable controller for PD,https://nime.org/proc/sjuve2008/index.html,
167,2008,beacon,"Kenji Suzuki, Miho Kyoya, Takahiro Kamatani, and Toshiaki Uchiyama",hard,Embodied Sound Media Environment for Socio-Musical Interaction,https://nime.org/proc/suzuki2008/index.html,
168,2008,Swing Set,"Ethan Hartman, Jeff Cooper, and Kyle Spratt",hard,Musical Controllers with Inherent Physical Dynamics,https://nime.org/proc/hartman2008/index.html,
169,2008,Oto-Shigure,"Yusuke Kamiyama, Mai Tanaka, and Hiroya Tanaka",hard,An Umbrella-Shaped Sound Generator,https://nime.org/proc/kamiyama2008/index.html,
170,2008,Plink Jet,"Lesley Flanigan, and Andrew Doro",hard, a robotic musical instrument made from scavenged inkjet printers and guitar parts,https://nime.org/proc/flanigan2008/index.html,
171,2008,Monalisa ,"Kazuhiro Jo, and Norihisa Nagano",soft," a software platform that enables to ""see the sound, hear the image""",https://nime.org/proc/jo2008/index.html,
172,2008,the Hyper-Flute,Cléo Palacio-Quintin,hard,a flute extended with sensors,https://nime.org/proc/palacioquintin2008/index.html,
173,2008,UnitKeyboard,"Yoshinari Takegawa, Tsutomu Terada, and Masahiko Tsukamoto",hard,"Easily Configurable Compact Clavier. modular, stackable keyboard prototype",https://nime.org/proc/takegawa2008/index.html,"third author present in pdf, missed in html"
174,2008,The Elbow Piano,"Aristotelis Hadjakos, Erwin Aitenbichler, and Max Mühlhäuser",hard,distinguishes two types of piano touch: a touchwith movement in the elbow joint (with goniometer) and a touch without,https://nime.org/proc/hadjakos2008/index.html,
175,2008,Itopul,"Mitsuyo Hashida, Yosuke Ito, and Haruhiro Katayose",soft,a directable case-based performance rendering system,https://nime.org/proc/hashida2008/index.html,
176,2008,The 'Suspended Clarinet',Silvia Lanzalone,hard,clarinet inspired instrument with computer-controlled air column,https://nime.org/proc/lanzalone2008/index.html,
177,2008,GeoGraphy,Andrea Valle,soft,"a Real-Time, Graph-Based Composition Environment",https://nime.org/proc/valle2008/index.html,
178,2008,waveTable,"Gerard Roma, and Anna Xambó",hard,an audio waveform editor that can be operated in real time through a tabletop interface,https://nime.org/proc/roma2008/index.html,
179,2008,MusicGlove,"Kouki Hayafuchi, and Kenji Suzuki",hard,A Wearable Musical Controller for Massive Media Library,https://nime.org/proc/hayafuchi2008/index.html,
180,2008,Sensory Chairs,"Niall Coghlan, and Benjamin Knapp",hard,A System for Biosignal Research and Performance,https://nime.org/proc/coghlan2008/index.html,
181,2008,The HOP Sensor,"Bart Kuyken, Wouter Verstichel, Frederick Bossuyt, Jan Vanfleteren, Michiel Demey, and Marc Leman",hard,Wireless Motion Sensor,https://nime.org/proc/kuyken2008/index.html,
182,2008,i-Maestro,"Kia Ng, and Paolo Nesi",soft,(defunct) website based framework for Technology-Enhanced Learning and Teaching for Music,https://nime.org/proc/ng2008/index.html,
183,2008,uOSC,"Andrew Schmeder, and Adrian Freed",soft,The Open Sound Control Reference Platform for Embedded Devices,https://nime.org/proc/schmeder2008/index.html,
184,2008,MahaDeviBot,"Arne Eigenfeldt, and Ajay Kapur",hard,a 12-armed musical robot,https://nime.org/proc/eigenfeldt2008/index.html,
185,2008,the A20,"Olivier Bau, Atau Tanaka, and Wendy E. Mackay",hard," a polyhedron-shaped, multichannel audio input/output device",https://nime.org/proc/bau2008/index.html,
186,2008,Phya,Dylan Menzies,soft,an open source C++ library originally designed foradding physically modeled contact sounds into computer game environments ,https://nime.org/proc/menzies2008/index.html,
187,2008,Sormina,Juhani Räisänen,hard,"virtual and tangible instrument, which has its origins in both virtual technology andthe heritage of traditional instrument design",https://nime.org/proc/raisanen2008/index.html,
188,2008,The virtual slide guitar,"Jyri Pakarinen, Vesa Välimäki, and Tapio Puputti",soft,"CV based ""air guitar"". guitar synthesizer with gestural control",https://nime.org/proc/pakarinen2008/index.html,
189,2008,SMuSIM,"Matteo Bozzolan, and Giovanni Cospito",soft,Multichannel Spatialization System utilizing standard HID controllers,https://nime.org/proc/bozzolan2008/index.html,
190,2008,"Public Sound Objects (PSOs) , Ten-Hand Piano  ",Àlvaro Barbosa,soft,framework to implement and test new concepts for Networked Music and a particular example,https://nime.org/proc/barbosa2008/index.html,
191,2009,The Drummer and The Drummer-Machine,"Andrea Bianchi, and Woon Seung Yeo",hard,"a networked digital musical interface that allows multiple performers to design and play drum kits simultaneously while, at the same time, keeping their ability to freely move on the stage",https://nime.org/proc/bianchi2009/index.html,
192,2009,ZooZBeat ,"Gil Weinberg, Andrew Beck, and Mark Godfrey",soft,a gesture-based mobile music studio - app for iphone,https://nime.org/proc/weinberg2009/index.html,
193,2009,Scratch-Off,"Nicholas Gillian, Sile O'Modhrain, and Georg Essl",soft,musical multiplayer DJ game that has been designed for a mobile phone,https://nime.org/proc/gillian2009a/index.html,
194,2009,The Smule Ocarina,Ge Wang,soft,a wind instrument designed for the iPhone,https://nime.org/proc/wang2009/index.html,
195,2009,The Fragmented Orchestra,"Daniel Jones, Tim Hodgson, Jane Grant, John Matthias, Nicholas Outram, and Nick Ryan",soft,"a distributed musical instrument which combines live audio streams from geographically disparate sites, and granulates each according to thespike timings of an artificial spiking neural network",https://nime.org/proc/jones2009/index.html,
196,2009,PlaySoundGround,"Michael St. Clair, and Sasha Leitman",hard,"a collaborative and interactive musical performance system based on playground concepts like merry-go-round, teeter-totter, etc.",https://nime.org/proc/stclair2009/index.html,
197,2009,the Wekinator,"Rebecca Fiebrink, Dan Trueman, and Perry R. Cook",soft,"meta-instrument, which allows a user to engage in on-the-fly learning using arbitrary control modalities and sound synthesis environments",https://nime.org/proc/fiebrink2009/index.html,
198,2009,ForTouch,"Sidney S. Fels, Bob Pritchard, and Allison Lenters",soft," easy-to-use portable, wearable gesture-to-speech system based on the Glove-TalkII and GRASSP Digital Ventriloquized Actors (DIVAs) and market-available wearable HIDs",https://nime.org/proc/fels2009/index.html,
199,2009,YARMI,"Tomas Laurenzo, Ernesto Rodríguez, and Juan Fabrizio Castro",soft,"a collaborative, networked, tangible, musical instrument",https://nime.org/proc/laurenzo2009/index.html,
200,2009,HSP,"Edgar Berdahl, Günter Niemeyer, and Julius O. Smith",soft,"Simple and Effective Open-Source Platform for Implementing Haptic Musical Instruments, with an example using  the NovInt Falcon (currently defunct) a haptic marked-available device initially designed for computer games",https://nime.org/proc/berdahl2009/index.html,
201,2009,The Double Slide Controller,Tomás Henriques,hard,instrument that departs from the slide trombone as a model for its design,https://nime.org/proc/henriques2009/index.html,
202,2009,VAMP,Elena Jessop,hard,The Vocal Augmentation and Manipulation Prosthesis. A Conducting-Based wearable Gestural Controller for Vocal Performance.,https://nime.org/proc/jessop2009/index.html,
203,2009,The UBS Virtual Maestro,"Teresa M. Nakra, Yuri Ivanov, Paris Smaragdis, and Chris Ault",soft,"an interactive conducting system, based on Nintendo Wii Remote game controller",https://nime.org/proc/nakra2009/index.html,
204,2009,Phalanger,"Chris Kiefer, Nick Collins, and Geraldine Fitzpatrick",soft,CV based gesture control + machine learning,https://nime.org/proc/kiefer2009/index.html,
205,2009,SqueezeVox Maggie,Perry R. Cook,hard,A redesign of SqueezeVox Maggie (a reoccurring NIME character) is used as an example of changing priniciples of conotroller designes,https://nime.org/proc/cook2009/index.html,
206,2009,Twenty-First Century Piano,Sarah Nicolls,hard,"explorng augmentations of traditional piano, including CV and motor controls",https://nime.org/proc/nicolls2009/index.html,
207,2009,The Electrumpet,Hans Leeuw,hard, an enhancement of a normal trumpet with a variety of electronic sensors and buttons,https://nime.org/proc/leeuw2009/index.html,
208,2009,Haptic Carillon,"Mark Havryliv, Fazel Naghdy, Greg Schiemer, and Timothy Hurd",hard, haptic simulation of Carillon,https://nime.org/proc/havryliv2009/index.html,
209,2009,the HANDSKETCH,"Nicolas d'Alessandro, and Thierry Dutoit",soft,exploration of a previously published Wacom-based stylus instrument,https://nime.org/proc/dalessandro2009/index.html,
210,2009,the cyclotactor,Staas de Jong,hard, a finger-based tactile I/O device for musical interaction,https://nime.org/proc/dejong2009/index.html,
211,2009,MagNular,Andy Dolphin,soft,a sound toy utilizing computer game and physics engine technologies to create an animated interface.,https://nime.org/proc/dolphin2009a/index.html,
212,2009,Psychophone,"Niels Böttcher, and Smilen Dimitrov",hard,a saxophone with various applied sensors,https://nime.org/proc/bottcher2009/index.html,
213,2009,The Midi-AirGuitar,"Langdon Crawford, and William D. Fastenow",hard, a hand held musical controller based on Force Sensing Resister (FSR) and Accelerometer technology,https://nime.org/proc/crawford2009/index.html,
214,2009,The elBo and footPad,"Colby Leider, Doug Mann, Daniel Plazas, Michael Battaglia, and Reid Draper",hard,designed to enable intuitive control of audio-processing tasks while anthropomorphically matching the target user,https://nime.org/proc/leider2009a/index.html,
215,2009,the SenseWorld DataNetwork,"Marije A. Baalman, Harry C. Smoak, Christopher L. Salter, Joseph Malloch, and Marcelo M. Wanderley",soft,framework addresses the issue of sharing and manipulating multiple data streams among different media systems,https://nime.org/proc/baalman2009a/index.html,
216,2009,The Kalichord,"Daniel Schlessinger, and Julius O. Smith",hard,"A Physically Modeled Electro-Acoustic Plucked String Instrument. a small, handheld electro/acoustic instrument in which the player's right hand plucks virtual strings while his left hand uses buttons to play independent bass lines",https://nime.org/proc/schlessinger2009/index.html,
217,2009,Nymophone2,"Kristian Nymoen, and Alexander R. Jensenius",hard,an acoustic instrument with a complex relationship between performance actions and emergent sound. it is a metal plate with a string and wooden resonator.,https://nime.org/proc/nymoen2009/index.html,
218,2009,The Tactus,"Yotam Mann, Jeff Lubow, and Adrian Freed",hard,"a tactile, tabletop synthesizer/step sequencer",https://nime.org/proc/mann2009/index.html,
219,2009, the SoriSu,Hye Ki Min,hard,a new electronic musical instrument based on Sudoku puzzles,https://nime.org/proc/min2009/index.html,
220,2009,WallBalls,"Grant Partridge, Pourang Irani, and Gordon Fitzell",hard," an intuitive tabletop, highly adaptable sample-based instrument capable of facilitating a startling variety of collaborative sound art. uses custom GUI, PD, and electromagnetic motion tracker Polhemus.",https://nime.org/proc/partridge2009/index.html,
221,2009,MusicGrip,"Nan-Wei Gong, Mat Laibowitz, and Joseph A. Paradiso",hard,can capture the subtle dynamics of the user's grip while writing or drawing and map this to musical control signals and sonic outputs,https://nime.org/proc/gong2009/index.html,
222,2009,LUMI,"Mingfei Gao, and Craig Hanson",hard,"interface involving a touch-screen, 32 pressure sensitive button pads, infrared sensor, 8 knobs and cross-fader",https://nime.org/proc/gao2009/index.html,
223,2009,SpiralSet,Andy Dolphin,hard, a sound toy incorporating game engine software used in conjunction with a spectral synthesis sound engine constructed in Max/MSP/Jitter. uses IR sensors.,https://nime.org/proc/dolphin2009/index.html,
224,2009,Deviate,Sarah Keith,soft,"MAX 5 patch. generates multiple streams of melodic and rhythmic output in real-time, according to user-specified control parameters",https://nime.org/proc/keith2009/index.html,
225,2009,Life Game Orchestra,"Keisuke Ogawa, and Yasuo Kuhara",soft,generates music by translating cellular patterns of Conway's Game of Life into musical scales. uses camera and CV for motion input,https://nime.org/proc/ogawa2009/index.html,
226,2009,netBody,"Suguru Goto, and Rob Powell",hard,"the system, which combines BodySuit, especially Powered Suit, and Second Life for musical application.",https://nime.org/proc/goto2009a/index.html,
227,2009,Mims ,"Ryo Kanda, Mitsuyo Hashida, and Haruhiro Katayose",hard,"an interactive-multimedia live-performance system, where pieces rendered by a performer’s voice are translated into floating objects called voice objects. with glove gesture controllers.",https://nime.org/proc/kanda2009/index.html,
228,2009,Multi-Laser Gestural Interface (the MLGI),"Meason Wiley, and Ajay Kapur",hard," a cost-effective, modular, open source framework for a laser interface design",https://nime.org/proc/wiley2009/index.html,
229,2009,The Vibrobyte,"Kyle McDonald, Dane Kouttron, Curtis Bahn, Jonas Braasch, and Pauline Oliveros",hard,"A Haptic Interface for Co-Located Performance.  open source Arduino platform, with haptic control data encapsulated in OSC messages, and OSC/hardwarecommunications handled by Processing. Sedns haptic cues between performers\composers. Close relative to OROBORO from 2005.",https://nime.org/proc/mcdonald2009/index.html,
230,2009,Hands On Stage,Chi-Hsia Lai,soft,CV and camera based performance interface designed for audiovisual improvisation,https://nime.org/proc/lai2009/index.html,
231,2009,The Ghetto Bastard,Neal Spowage,hard,a portable noise instrument from recycled materials,https://nime.org/proc/spowage2009/index.html,
232,2010,The Planets,"Max Meier, and Max Schranner",hard,application allows to interactively compose music in real-time by arranging planet constellations on an interactive table. uses some custom made props.,https://nime.org/proc/meier2010/index.html,
233,2010,Wiiolin ,"Jace Miller, and Tracy Hammond",soft,a Virtual Instrument Using the Wii Remote,https://nime.org/proc/miller2010/index.html,
234,2010,ImprovGenerator,"Kris M. Kitani, and Hideki Koike",soft,ChuCk based Online Grammatical Induction for On-the-Fly Improvisation Accompaniment,https://nime.org/proc/kitani2010/index.html,
235,2010,P[a]ra[pra]xis ,"Josh M. Dubrau, and Mark Havryliv",soft,a two-piece software package which explores human relations to language through dynamic sound and text production,https://nime.org/proc/dubrau2010/index.html,
236,2010,FerroSynth,"Stuart Taylor, and Jonathan Hook",hard,A Ferromagnetic Music Interface,https://nime.org/proc/taylor2010a/index.html,
237,2010,The Helio,"Jim Murphy, Ajay Kapur, and Carl Burgin",hard, a study of membrane potentiometers and long force sensing resistors as tools to enable greater interaction between performers and audiences,https://nime.org/proc/murphy2010/index.html,
238,2010,Musical Exoskeletons,"Nick Collins, Chris Kiefer, Zeeshan Patoli, and Martin White",soft,uses a prototype motion capture suit designed by the Animazoo company,https://nime.org/proc/collins2010a/index.html,
239,2010,Interactive Music Studio : the soloist,"Hyun-Soo Kim, Je-Han Yoon, and Moon-Sik Jung",soft, Samsung’s new concept music creation engine and music composer application for mobile devices,https://nime.org/proc/kim2010/index.html,
240,2010,humanaquarium,"Robyn Taylor, Guy Schofield, John Shearer, Pierre Boulanger, Jayne Wallace, and Patrick Olivier",soft,"a self-contained, transportable performance environment that is used to stage technology-mediated interactive performances in public spaces",https://nime.org/proc/taylor2010/index.html,
241,2010,The Ghost,Paul Rothman,hard," A guitar-shaped Open-Source, User Programmable MIDI Performance Controller",https://nime.org/proc/rothman2010/index.html,
242,2010,The GRIP MAESTRO,Michael Berger,hard,electroacoustic performance interface with Idiomatic Mappings of Emotive Gestures for Control of Live Electroacoustic Music,https://nime.org/proc/berger2010/index.html,
243,2010,Multimodal Guitar,"Loïc Reboursière, Christian Frisson, Otso Lähdeoja, John A. Mills, Cécile Picard-Limpens, and Todor Todoroff",hard,"Uses custom pressure sensors, PD and MAX: polyphonic pitch estimation, fretboard visualization and grouping, pressure sensing,modal synthesis, infinite sustain, rearranging looping and ""smart"" harmonizing",https://nime.org/proc/reboursiere2010/index.html,
244,2010,Mmmmm,"Norma S. Savage, Syed R. Ali, and Norma E. Chavez",soft,a Multimodal Mobile Music Mixer that provides DJs a new interface for mixing musicon the Nokia N900 phones,https://nime.org/proc/savage2010/index.html,
245,2010,Peller-Min,Yoichi Nagashima,hard,"two big arcs with LED distance sensors. sound generation by body gesture (both hands)"" and ""sound generation by kneading with hands""",https://nime.org/proc/nagashima2010/index.html,
246,2010,Peacock,Chikashi Miyama,hard,A Non-Haptic 3D Performance Interface: thirty-five proximity sensors arranged in five rows and seven columns,https://nime.org/proc/miyama2010/index.html,
247,2010,Irregular Incurve ,Xiaoyang Feng,hard,a MIDI controllable robotic string instrument of an interesting shape,https://nime.org/proc/feng2010/index.html,
248,2010,SurfaceMusic,"Lawrence Fyfe, Sean Lynch, Carmen Hull, and Sheelagh Carpendale",soft,a tabletop music system in which touch gestures are mapped to physical modelsof instruments,https://nime.org/proc/fyfe2010/index.html,
249,2010,The Sponge,Martin Marier,hard,flexible interface based on force sensing resistors and accelerometers. with visual feedback. allows a clear link to be established between gesture and sound,https://nime.org/proc/marier2010/index.html,
250,2010,"Hé (和, harmony)","Laewoo Kang, and Hsin-Yi Chien",soft,Calligraphy as a Musical Interface. CV-based.,https://nime.org/proc/kang2010/index.html,
251,2010,ANTracks 2.0,"Björn Wöldecke, Christian Geiger, Holger Reckter, and Florian Schulz",hard,Generative Music on Multiple Multitouch Devices. set of devices used includes a custom built multitouch table and a number of iPhones to jointly create musical expressions,https://nime.org/proc/woldecke2010/index.html,
252,2010,COMPath ,"Sihwa Park, Seunghun Kim, Samuel Lee, and Woon Seung Yeo",soft,an online map based music-making tool ,https://nime.org/proc/park2010/index.html,
253,2010,'VirtualPhilharmony'' (V.P.) ,"Takashi Baba, Mitsuyo Hashida, and Haruhiro Katayose",hard, a sensor-glove based conducting interface that enables users to perform expressive music with conducting action,https://nime.org/proc/baba2010/index.html,
254,2010,Generative Improv . & Interactive Music Project (GIIMP),Ian Whalley,soft,"Realized using commercial tools, GIIMP implements a machine/human generative improvisation system using human gesture input, machine gesture capture, and a gesture mutation module in conjunction with a flocking patch, mapped through microtonal/spectral techniques to sound",https://nime.org/proc/whalley2010/index.html,
255,2010,The Bowed Tube,"Alfonso P. Carrillo, and Jordi Bonada",hard,a Virtual Violin: a violin spectral model and a control interface,https://nime.org/proc/carrillo2010/index.html,
256,2010,Glitch Delighter,Rudolfo Quintas,soft,Lighter's Flame Base Hyper-Instrument for Glitch Music. uses CV and camera.,https://nime.org/proc/quintas2010/index.html,
257,2010,DRILE ,"Florent Berthaut, Myriam Desainte-Catherine, and Martin Hachet",soft, An Immersive Environment for Hierarchical Live-Looping. it is a VRMi,https://nime.org/proc/berthaut2010/index.html,
258,2010,MoMu,"Nicholas J. Bryan, Jorge Herrera, Jieun Oh, and Ge Wang",soft,An open-source  Mobile Music Toolkit evaluated in the Stanford Mobile Phone Orchestra (MoPhO) ,https://nime.org/proc/bryan2010/index.html,
259,2010,L2Ork,"Ivika Bukvic, Thomas Martin, Eric Standley, and Michael Matthews",soft,Introducing Linux Laptop Orchestra,https://nime.org/proc/bukvic2010/index.html,
260,2010,the Waseda Saxophone Robot No. 2 (WAS-2) ,"Jorge Solis, Klaus Petersen, Tetsuro Yamamoto, Masaki Takeuchi, Shimpei Ishikawa, Atsuo Takanishi, and Kunimatsu Hashimoto",hard,"Cool-looking robot, imitating the saxophonist playing by mechanically reproducing the organs involved for playing a saxophone.",https://nime.org/proc/solis2010/index.html,
261,2010,Disky,"Karl Yerkes, Greg Shear, and Matthew Wright",hard,a DIY Rotational Interface with Inherent Dynamics,https://nime.org/proc/yerkes2010/index.html,
262,2010,scoreLight,"Alavaro Cassinelli, Yusaku Kuribara, Alexis Zerroug, Masatoshi Ishikawa, and Daito Manabe",hard,a Human-Sized Laser Pick-Up. generating sound from the lines of drawings as well as from theedges of three-dimensional objects nearby.,https://nime.org/proc/cassinelli2010/index.html,
263,2010,Contrary Motion,Nick Collins,soft,"a MIDI-based realtime musical software agent which uses machine listening to establish the musical context, and thereby chooses its own responses to differentiate its position from that of its human interlocutant",https://nime.org/proc/collins2010/index.html,
264,2010,TwinkleBall,"Tomoyuki Yamaguchi, Tsukasa Kobayashi, Anna Ariga, and Shuji Hashimoto",hard,a wireless musical interface driven by grasping forces and human motion,https://nime.org/proc/yamaguchi2010/index.html,
265,2010,LUSH,"Hongchan Choi, and Ge Wang",soft,"system incorporates many techniques, including; flocking simulation, nondeterministic finite automata (NFA), score file analysis, vector calculation, OpenGL animation, and networking",https://nime.org/proc/choi2010/index.html,
266,2010,Beatback,"Andrew Hawryshkewich, Philippe Pasquier, and Arne Eigenfeldt",soft,"A Real-time Interactive Percussion System for Rhythmic Practise and Exploration, which learns and plays in the user's style",https://nime.org/proc/hawryshkewich2010/index.html,
267,2010, urMus,"Georg Essl, and Alexander Müller",soft,environment which allows creation of mobile musical instruments on multi-touch smartphones,https://nime.org/proc/essl2010/index.html,
268,2010,Epi-thet ,"Tim Humphrey, Madeleine Flynn, and Jesse Stevens",soft,gathers data from individual interactions with common microscopes placed on platforms within a large space,https://nime.org/proc/humphrey2010/index.html,
269,2010,the Device Server and the AlloSphere,"Charles Roberts, Matthew Wright, JoAnn Kuchera-Morin, and Lance Putnam",soft, a framework and application driving interaction in VR,https://nime.org/proc/roberts2010/index.html,
270,2010,Cuebert ,"Noah Liebman, Michael Nagara, Jacek Spiewla, and Erin Zolkosky",hard,Mixing Board Concept for Musical Theatre. combines traditional faders and knobs with multitouch display.,https://nime.org/proc/liebman2010/index.html,
271,2010,Minim ,"John A. Mills, Damien Di Fede, and Nicolas Brix",soft,audio library of the Processing programming environment,https://nime.org/proc/mills2010/index.html,
272,2010,Freepad ,"Sungkuk Chun, Andrew Hawryshkewich, Keechul Jung, and Philippe Pasquier",soft,A CV-based draw-on-Paper MIDI Interface,https://nime.org/proc/chun2010/index.html,
273,2010,Neurohedron,Ted Hayes,hard," a multi-modal interface for a nonlinear sequencer software model, embodied physically in a dodecahedron",https://nime.org/proc/hayes2010/index.html,
274,2010,UnitInstrument,"Yutaro Maruyama, Yoshinari Takegawa, Tsutomu Terada, and Masahiko Tsukamoto",hard,"follow up on UnitKeyboard from 2008, adding PickupUnit (looking like guitar) and generalizing into this class of modular controllers.",https://nime.org/proc/maruyama2010/index.html,
275,2011, the MO,"Norbert Schnell, Frédéric Bevilacqua, Nicolas Rasamimanana, Julien Blois, Fabrice Guédy, and Emmanuel Fléty",hard,modular wireless motion capture deviceand a set of software components integrated into Max/MSP,https://nime.org/proc/schnell2011/index.html,
276,2011,SWAF,"Souhwan Choe, and Kyogu Lee",soft,a Web Application Framework for Composition and Documentation of Soundscape,https://nime.org/proc/choe2011/index.html,
277,2011,SQUEEZY,"Johnty Wang, Nicolas d'Alessandro, Sidney S. Fels, and Bob Pritchard",hard,"a low-cost, tangible input device that adds multi-dimensional input to capacitive multi-touch
tablet devices",https://nime.org/proc/wang2011a/index.html,
278,2011,Quadrofeelia,"Jiffer Harriman, Locky Casey, and Linden Melvin",hard," inspired by the pedal-steel guitar, s played with two hands on a horizontal surface",https://nime.org/proc/harriman2011/index.html,
279,2011,Gliss,Jan T. von Falkenstein,soft,An Intuitive Sequencer for the iPhone and iPad,https://nime.org/proc/vonfalkenstein2011/index.html,
280,2011,The Six Fantasies Machine,Andreas Bergsland,soft,an instrument modelling phrases from Paul Lansky’s Six Fantasies,https://nime.org/proc/bergsland2011/index.html,
281,2011,Seaboard,"Roland Lamb, and Andrew Robertson",hard,Piano Keyboard-related Interface Combining Discrete and Continuous Control,https://nime.org/proc/lamb2011/index.html,
282,2011,Rhythm'n'Shoes,"Stefano Papetti, Marco Civolani, and Federico Fontana",hard,a Wearable Foot Tapping Interface with Audio-Tactile Feedback,https://nime.org/proc/papetti2011/index.html,
283,2011,SoundGrasp,"Thomas Mitchell, and Imogen Heap",hard,A glove-based Gestural Interface for the Performance of Live Music,https://nime.org/proc/mitchell2011/index.html,
284,2011,MTCF (Musical Tabletop Coding Framework),"Carles F. Julià, Daniel Gallardo, and Sergi Jordà",soft,a framework for designing and coding musical tabletop applications by using the graphical programming language for digital sound processing Pure Data (Pd),https://nime.org/proc/julia2011/index.html,
285,2011,The Flo)(ps,Karmen Franinovic,hard,3D printed glasses and arduino optical sensors. a series of interactive sounding glasses,https://nime.org/proc/franinovic2011/index.html,
286,2011,MelodyMorph,Eric Rosenbaum,soft,a reconfigurable musical instrument designed for a touch-screen interface,https://nime.org/proc/rosenbaum2011/index.html,
287,2011,Eobody3,"Emmanuelle Gallin, and Marc Sirguy",hard,a Ready-to-use Pre-mapped Multi-protocol Sensor Interface,https://nime.org/proc/gallin2011/index.html,
288,2011,TresnaNet,Paula Ustarroz,hard,"it is a sonification of network transfers. paper describes a custom hardware based on arduino, but does not show a pictures of a prototype.",https://nime.org/proc/ustarroz2011/index.html,
289,2011,Snyderphonics Manta Controller,Jeff Snyder,hard," a USB touch controller for music and video - 48 capacitive touch sensors, arranged in a hexagonal grid, with bi-color LEDs that are programmable from the computer",https://nime.org/proc/snyder2011/index.html,
290,2011,HIDUINO,"Dimitri Diakopoulos, and Ajay Kapur",soft,firmware for building driverless USB-MIDI devices using the Arduino microcontroller,https://nime.org/proc/diakopoulos2011/index.html,
291,2011,Integra Live ,"Jamie Bullock, Daniel Beattie, and Jerome Turner",soft,a critical Graphical User Interface for Live Electronic Music,https://nime.org/proc/bullock2011/index.html,
292,2011,Crackle,Jonathan Reus,soft,"it looks like an iPhone app, inspired by the Crackle Box",https://nime.org/proc/reus2011/index.html,
293,2011,InkSplorer ,"érémie Garcia, Theophanis Tsandilas, Carlos Agon, and Wendy E. Mackay",soft,a technology probe that connects users' hand-written gestures on paper to Max/MSP and OpenMusic,https://nime.org/proc/garcia2011a/index.html,
294,2011,SoundSaber,"Kristian Nymoen, Ståle A. Skogstad, and Alexander Refsum Jensenius",hard,instrument based on motion capture technology and a long stick,https://nime.org/proc/nymoen2011/index.html,
295,2011,MoodMixer,"Grace Leslie, and Tim Mullen",soft,interactive installation in which participants collaboratively navigate a two-dimensional music spaceby manipulating their cognitive state and conveying thisstate via wearable Electroencephalography (EEG) technology,https://nime.org/proc/leslie2011/index.html,
296,2011,BeatJockey,"Pablo Molina, Martín Haro, and Sergi Jordà",soft,"New Tool for Enhancing DJ Skills, based on reacTable and TUI",https://nime.org/proc/molina2011/index.html,
297,2011,JunctionBox,"Lawrence Fyfe, Adam Tindale, and Sheelagh Carpendale",soft,Toolkit for Creating Multi-touch Sound Control Interfaces,https://nime.org/proc/fyfe2011/index.html,
298,2011,TweetDreams,"Luke Dahl, Jorge Herrera, and Carr Wilkerson",soft,an instrument and musical composition which creates real-time sonification and visualization of tweets (posts in Twitter),https://nime.org/proc/dahl2011/index.html,
299,2011,Nuvolet,"Josep M. Comajuncosas, Alex Barrachina, John O'Connell, and Enric Guaus",soft,kinect based 3D gestural interface for collaborative concatenative sound synthesis and audio mosaicing,https://nime.org/proc/comajuncosas2011/index.html,
300,2011,Hex Player,"Andrew J. Milne, Anna Xambo, Robin Laney, David B. Sharp, Anthony Prechtl, and Simon Holland",soft,A Virtual Musical Controller for a touchscreen,https://nime.org/proc/milne2011/index.html,
301,2011,the Surface Editor,"Alain Crevoisier, and Cécile Picard-Limpens",soft,a software tool for creating control interfaces and mapping input actions to OSC or MIDI actions very easily and intuitively,https://nime.org/proc/crevoisier2011/index.html,
302,2011,The Manipuller,"Adrián Barenca, and Giuseppe Torre",hard,Gestural Controller based on strings manipulation and multi-dimensional force sensing technology,https://nime.org/proc/barenca2011/index.html,
303,2011,The KarmetiK NotomotoN ,"Ajay Kapur, Michael Darling, Jim Murphy, Jordan Hochenbaum, Dimitri Diakopoulos, and Trimpin Trimpin",hard,musical robotic system for performance and education.,https://nime.org/proc/kapur2011/index.html,
304,2011,The Bass Sleeve,Izzi Ramkissoon,hard, Real-time Multimedia Gestural Controller for Augmented Electric Bass,https://nime.org/proc/ramkissoon2011/index.html,
305,2011,Audio Arduino,"Smilen Dimitrov, and Stefania Serafin",soft,an ALSA (Advanced Linux Sound Architecture) Audio Driver for FTDI-based Arduinos,https://nime.org/proc/dimitrov2011/index.html,
306,2011,MobileMuse,"Benjamin Knapp, and Brennon Bortz",hard,"interface for mobile music creation, that introduces the capability of using physiological indicators of emotion as a new mode of interaction",https://nime.org/proc/knapp2011/index.html,
307,2011,Smule's Magic Fiddle,"Ge Wang, Jieun Oh, and Tom Lieber",soft,an expressive musical instrument for the iPad,https://nime.org/proc/wang2011/index.html,
308,2011,MadPad,"Nick Kruge, and Ge Wang",soft,a networked audiovisual sample station for mobile devices,https://nime.org/proc/kruge2011/index.html,
309,2011,Satellite CCRMA,"Edgar Berdahl, and Wendy Ju",hard,a new Beagle Board-based platform for teaching and practicing interaction design for musical applications,https://nime.org/proc/berdahl2011a/index.html,
310,2011,Tahakum,"Zachary Seldess, and Toshiro Yamada",soft,collection of software tools designed to enhance workflow on multichannel audio systems. A Multi-Purpose Audio Control Framework,https://nime.org/proc/seldess2011/index.html,
311,2011,Daft Datum,"Ravi Kondapalli, and Ben-Zhen Sung",hard,An Interface for Producing Music Through Foot-based Interaction,https://nime.org/proc/kondapalli2011/index.html,
312,2011,The Sound Flinger,"Chris Carlson, Eli Marschner, and Hunter Mccurry",hard,sound spatializer with 4 faders,https://nime.org/proc/carlson2011/index.html,
313,2011,ROOM #81,"Nicolas d'Alessandro, Roberto Calderon, and Stefanie Muller",hard,Agent-Based Instrument for Experiencing Architectural and Vocal Cues,https://nime.org/proc/dalessandro2011/index.html,
314,2011,MoodifierLive,"Marco Fabiani, Gaël Dubus, and Roberto Bresin",soft,a mobile phone application for interactive control of rule-based automatic music performance,https://nime.org/proc/fabiani2011/index.html,
315,2011,Beatscape,"Aaron Albin, Sertan Şentürk, Akito Van Troyer, Brian Blosser, Oliver Jan, and Gil Weinberg",soft,a Mixed Virtual-Physical Environment for Musical Ensembles,https://nime.org/proc/albin2011/index.html,
316,2011,Polyhymnia,"Tae Hun Kim, Satoru Fukayama, Takuya Nishimoto, and Shigeki Sagayama",soft,An Automatic Piano Performance System with Statistical Modeling of Polyphonic Expression and Musical Symbol Interpretation,https://nime.org/proc/kim2011b/index.html,
317,2011,the kin.rhythmicator,"George Sioros, and Carlos Guedes",soft, software application of an algorithm based on a stochastic model in which various aspects and qualities of the generated rhythm can be controlled intuitively and in real time,https://nime.org/proc/sioros2011/index.html,
318,2011,BioRhythm,"Ryan Mcgee, Yuan-Yi Fan, and Reza Ali",soft,an interactive bio-feedback installation controlled by the cardiovascular system,https://nime.org/proc/mcgee2011/index.html,
319,2011,the clothesline,"Seunghun Kim, Luke K. Kim, Songhee Jeong, and Woon Seung Yeo",soft,it looks like a CV-based recognition of lines of clothes as a controller. paper is a bit unclear.,https://nime.org/proc/kim2011/index.html,
320,2011,Sonicstrument ,"Jeong-seob Lee, and Woon Seung Yeo",soft,a sound-based interface that traces the user's hand motions,https://nime.org/proc/lee2011/index.html,
321,2011,Gamelan Elektrika,"Laurel S. Pardue, Andrew Boch, Matt Boch, Christine Southworth, and Alex Rigopulos",hard,electronic gamelan modeled after a Balinese Gong Kebyar,https://nime.org/proc/pardue2011/index.html,
322,2011,The Electromagnetically Sustained Rhodes Piano,"Greg Shear, and Matthew Wright",hard,an augmentation of the original instrument with additional control over the amplitude envelope of individual notes,https://nime.org/proc/shear2011/index.html,
323,2011,The Overtone Fiddle,Dan Overholt,hard,"a new violin-family instrument that incorporates electronic sensors, integrated DSP, and physical actuation of the acoustic body",https://nime.org/proc/overholt2011/index.html,
324,2012,Kritaanjali,"Ajay Kapur, Jim Murphy, and Dale Carnegie",hard,"A Robotic Harmonium for Performance, Pedogogy and Research",https://nime.org/proc/kapur2012/index.html,
325,2012,TedStick,Cory Levinson,hard,A Tangible Electrophonic Drumstick,https://nime.org/proc/levinson2012/index.html,
326,2012,OMax,"Benjamin Levy, Georges Bloch, and Gerard Assayag",soft,"an improvisation software based on a graph representation encoding the pattern repetitions and structures of a sequence, built incrementally and in real-time from a live Midi or Audio source",https://nime.org/proc/levy2012/index.html,
327,2012, the bubble drum set,Jay Alan Jackson,hard," combines various sizes of colorful exercise balls, held in place or suspended with conventional drum hardware and thus creating a trap kit configuration in which the spherical surfaces",https://nime.org/proc/jackson2012/index.html,
328,2012,DrumTop,Akito van Troyer,hard, tangible step sequencer that transforms everyday objects into percussive musicalinstruments,https://nime.org/proc/troyer2012/index.html,
329,2012,"ML.som , MLS.art , ML.spatial","Benjamin D. Smith, and Guy E. Garnett",soft,"toolbox of unsupervised machine learning algorithms implemented in Max 5 to support real-time interactive music and video, aimed at the non-expert computer artist",https://nime.org/proc/smith2012a/index.html,this paper repeats twice on the website
330,2012,Tweet Harp,"Ayaka Endo, Takuma Moriyama, and Yasuo Kuhara",hard,Laser Harp Generating Voice and Text of Real-time Tweets in Twitter,https://nime.org/proc/endo2012/index.html,
331,2012,MuDI,Pedro Patrício,soft,Multimedia Digital Instrument for Composing and Performing Digital Music for Films in Real-time,https://nime.org/proc/patricio2012/index.html,
332,2012,Tok!,"Sang Won Lee, Ajay Srinivasamurthy, Gregoire Tronel, Weibin Shen, and Jason Freeman",soft,a collaborative acoustic instrument application for iOS devices aimed at real time percussive music making in a colocated setup,https://nime.org/proc/lee2012b/index.html,
333,2012,AVIEM,"Kamer Ali Yuksel, Sinan Buyukbas, and Elif Ayiter",soft,provides an interactive interface for experimentation and evaluation of the perception and creation processes of audiovisuals,https://nime.org/proc/yuksel2012/index.html,
334,2012,the Play-A-Grill system,Aisen Caro Chacin,hard,"combines a digital music player with the mouth piece jewelry known as a grill, which is usually
associated with hip hop and rap music genres",https://nime.org/proc/chacin2012/index.html,
335,2012,Musician Maker,John Buschert,hard,program with custom controllers takes the signals from the controllers and adjusts the pitches somewhat so that the players are limited to notes which fit the chord progression,https://nime.org/proc/buschert2012/index.html,
336,2012,Sinkapater,Jiffer Harriman,soft,"an untethered beat sequencer in that the beat division, and the loop length can be arbitrarily modified for each track",https://nime.org/proc/harriman2012/index.html,
337,2012,AuRal,"Jesse Allison, and Christian Dell",soft,A Mobile Interactive System for Geo-Locative Audio Synthesis,https://nime.org/proc/allison2012/index.html,
338,2012, Patchwerk,"Brian Mayton, Gershon Dublon, Nicholas Joliat, and Joseph A. Paradiso",hard, a networked synthesizer module with tightly coupled web browser and tangible interfaces,https://nime.org/proc/mayton2012/index.html,
339,2012,The _derivations System,Benjamin Carey,soft,"combination of real-time audio analysis, live sampling and spectral re-synthesis to build a vocabulary of possible performative responses to live instrumental input",https://nime.org/proc/carey2012/index.html,
340,2012,the Electromagnetically Sustained Rhodes Piano,"Greg Shear, and Matthew Wright",hard,development for a prototype from 2011,https://nime.org/proc/shear2012/index.html,
341,2012,Pencil Fields,Palle Dahlstedt,hard," low-tech multidimensional gestural controller, based on the resistive properties of a 2D field of pencil markings on paper",https://nime.org/proc/dahlstedt2012/index.html,
342,2012,The electrumpet,Hans Leeuw,hard,revision of a previously published instrument from 2009,https://nime.org/proc/leeuw2012/index.html,
343,2012,The Fingerphone,Adrian Freed,hard,a reworking of the Stylophone in conductive paper,https://nime.org/proc/freed2012/index.html,
344,2012,Gest-O,"Jonh Melo, Daniel Gómez, and Miguel Vargas",hard,vustom sensor and open source tool for controlling the sound of a saxophone via the gestures of its performer,https://nime.org/proc/melo2012/index.html,
345,2012,LoopJam,"Christian Frisson, Stéphane Dupont, Julien Leroy, Alexis Moinet, Thierry Ravet, Xavier Siebert, and Thierry Dutoit",soft,allows participants to interact with a sound map using a 3D computer vision tracking system and Kinect,https://nime.org/proc/frisson2012/index.html,
346,2012,Simpletones,Francisco Zamorano,hard,"create simple sound compositions in real time by collaboratively operating physical artifacts as sound controllers. CV-based, with custom tracker markers.",https://nime.org/proc/zamorano2012/index.html,
347,2012,Digito,"Nicholas Gillian, and Joseph A. Paradiso",soft, a gesturally controlled virtual musical instrument. hand gestures captured by a 3D depth sensor,https://nime.org/proc/gillian2012/index.html,
348,2012,the FILTER system,"Doug Van Nort, Jonas Braasch, and Pauline Oliveros",soft,performance system that is  geared towards human-machine co-performance with a particular emphasis on improvisation,https://nime.org/proc/nort2012/index.html,
349,2012,PocoPoco,"Yuya Kikukawa, Takaharu Kanai, Tatsuhiko Suzuki, Toshiki Yoshiike, Tetsuaki Baba, and Kumiko Kushiyama",hard,16 units of original solenoid actuators in a box as a controller and haptic (and visual) display,https://nime.org/proc/kikukawa2012/index.html,
350,2012,TC-11,Kevin Schlei,soft,A Programmable Multi-Touch Synthesizer for the iPad,https://nime.org/proc/schlei2012/index.html,
351,2012,The Instant Instrument Anywhere (IIA),"David Gerhard, and Brett Park",hard,a small device which can be attached to any metal object to create an electronic instrument,https://nime.org/proc/gerhard2012/index.html,
352,2012,the EyeHarp,"Zacharias Vamvakousis, and Rafael Ramirez",hard,"gaze-controlled musical instrument, using customized eye-tracking device",https://nime.org/proc/vamvakousis2012/index.html,
353,2012,The Deckle Project,"Hongchan Choi, John Granzow, and Joel Sadler",hard,prototypes for drawing board sensors and applications,https://nime.org/proc/choi2012/index.html,
354,2012,DIRTI (Dirty Tangible Interfaces),"Matthieu Savary, Diemo Schwarz, and Denis Pellerin",soft,"prototype based on granular or liquid interaction material placed in a glass dish, that is analyzed by video tracking for its 3D relief",https://nime.org/proc/savary2012/index.html,
355,2012,FutureGrab,"Yoonchang Han, Jinsoo Na, and Kyogu Lee",hard, A wearable subtractive synthesizer using hand gesture,https://nime.org/proc/han2012a/index.html,
356,2012,Concept Tahoe,Dan Moses Schlessinger,hard, provides vocalists with control over their vocal effects directly from the body of the microphone,https://nime.org/proc/schlessinger2012/index.html,
357,2012,The Sonik Spring ,Tomas Henriques,hard,"spring-based, wireless digital instrument, created for real-time synthesis and control of sound",https://nime.org/proc/henriques2012/index.html,
358,2012,Voicon,"Yongki Park, Hoon Heo, and Kyogu Lee",hard,An Interactive Gestural Microphone For Vocal Performance,https://nime.org/proc/park2012/index.html,
359,2012,TouchKeys,Andrew McPherson,hard,Capacitive Multi-Touch Sensing on a Physical Keyboard,https://nime.org/proc/mcpherson2012/index.html,
360,2012,the CUI32Stem,Dan Overholt,hard,"an open source microcontroller board that can be programmed in C, BASIC, or Arduino language",https://nime.org/proc/overholt2012/index.html,
361,2012,SABRe,"Sébastien Schiesser, and Jan C. Schacher",hard,The Augmented Bass Clarinet,https://nime.org/proc/schiesser2012/index.html,
362,2012,CrossMapper,"Liam O'Sullivan, Dermot Furlong, and Frank Boland",soft,Tool for Mapping Musical Control Parameters,https://nime.org/proc/osullivan2012/index.html,
363,2012,The JD-1,"Jeff Snyder, and Andrew McPherson",hard,an Implementation of a Hybrid Keyboard/Sequencer Controller for Analog Synthesizers,https://nime.org/proc/snyder2012/index.html,
364,2012,the Dance Jockey System,"Ståle A. Skogstad, Kristian Nymoen, Yago de Quay, and Alexander Refsum Jensenius",soft,a system developed for using a full body inertial motion capture suit (Xsens MVN) in music/dance performances,https://nime.org/proc/skogstad2012/index.html,
365,2012,EnActor,Vangelis Lympouridis,soft,a Whole Body Interaction Design Software Platform,https://nime.org/proc/lympouridis2012/index.html,
366,2012,MAGE,"Maria Astrinaki, Nicolas d'Alessandro, and Thierry Dutoit",soft,A Platform for Tangible Speech Synthesis,https://nime.org/proc/astrinaki2012/index.html,
367,2012,The Music Ball Project,"Alexander Refsum Jensenius, and Arve Voldsund",hard, instruments/controllers with a spherical shape as the common denominator.,https://nime.org/proc/jensenius2012/index.html,
368,2012,Borderlands,"Chris Carlson, and Ge Wang",soft,An Audiovisual Interface for Granular Synthesis,https://nime.org/proc/carlson2012/index.html,
369,2012,SenSynth,"Ryan McGee, Daniel Ashbrook, and Sean White",soft,a Mobile Application for Dynamic Sensor to Sound Mapping,https://nime.org/proc/mcgee2012/index.html,
370,2012,Kugelschwung,"amie Henson, Benjamin Collins, Alexander Giles, Kathryn Webb, Matthew Livingston, and Thomas Mortensson",hard,a Pendulum-based Musical Instrument,https://nime.org/proc/henson2012/index.html,
371,2012,massMobile,"Nathan Weitzner, Jason Freeman, Stephen Garrett, and Yan-Ling Chen",soft,system for mass audience participation in live performances using smartphones,https://nime.org/proc/weitzner2012/index.html,
372,2012,SoundStrand,Eyal Shahar,hard,a Tangible Interface for Composing Music with Limited Degrees of Freedo,https://nime.org/proc/shahar2012/index.html,
373,2012,LOLbot,"Sidharth Subramanian, Jason Freeman, and Scott McCoid",soft,The machine musician LOLbot analyses the patterns created by human performers and the composite music they create as they are layered in performance,https://nime.org/proc/subramanian2012/index.html,
374,2012,Electric Slide Organistrum,Martin Piñeyro,hard,an acoustic stringed instrument played through a video capture system,https://nime.org/proc/pineyro2012/index.html,
375,2012,The Gesturally Extended Piano,William Brent,hard,an augmented instrument controller that relies on information drawn from performer motion tracking in order to control real-time audiovisual processing and synthesis,https://nime.org/proc/brent2012/index.html,
376,2012,The EMvibe,"N. Cameron Britt, Jeff Snyder, and Andrew McPherson",hard,An Electromagnetically Actuated Vibraphone,https://nime.org/proc/britt2012/index.html,
377,2013,GrainProc,"Mayank Sanganeria, and Kurt Werner",soft,a touchscreen real-time granular synthesis interface for live performance,https://nime.org/proc/sanganeria2013/index.html,
378,2013,PESI Extended System,"Koray Tahiroğlu, Nuno N. Correia, and Miguel Espada",soft, Kinect-based collaborative environment (PESI) in which performers are not only free to move and interact with each other but where their social interactions contribute to the sonic outcome,https://nime.org/proc/tahiroglu2013/index.html,
379,2013,SonNet,"KatieAnna E Wolf, and Rebecca Fiebrink",soft,A Code Interface for Sonifying Computer Network Data,https://nime.org/proc/wolf2013/index.html,
380,2013,"The Third Room, Ember and Fluid","Colin Honigman, Andrew Walton, and Ajay Kapur",soft,"framework for music creation using 3D audio andvisual techniques. uses kinect, but also custom designed controllers Ember and Fluid",https://nime.org/proc/honigman2013/index.html,
381,2013,LOLOL,"Jieun Oh, and Ge Wang",soft,an interactive system implemented in ChucK that allows users to systematically play with the musical ingredients of laughter.,https://nime.org/proc/oh2013/index.html,
382,2013,Mobile DJ,"Kenneth W.K. Lo, Chi Kin Lau, Michael Xuelin Huang, Wai Wa Tang, Grace Ngai, and Stephen C.F. Chan",soft,"a Tangible, Mobile Platform for Active and Collaborative Music Listening",https://nime.org/proc/lo2013/index.html,
383,2013,Rainboard and Musix,"Brett Park, and David Gerhard",hard,"Musix was developed to allow experimentation with a wide variety of different isomorphic layouts, to assess the advantages and disadvantages of each. Rainboard consists of a hexagonal array of arcade buttons embedded with RGB-LEDs, which are used to indicate characteristics of the isomorphism currently in use on the Rainboard.",https://nime.org/proc/park2013/index.html,
384,2013,note~ for Max ,Thomas Resch,soft,four objects for the Software Max/MSP which allow sequencing in floating point resolution and provide a Graphical User Interface and a Scripting Interface for generating events within a timeline,https://nime.org/proc/resch2013/index.html,
385,2013,Rouages,"Florent Berthaut, Mark T. Marshall, Sriram Subramanian, and Martin Hachet",hard,custom augmentations to interactively illustrate the electronic music controllers work for audience in front of the performer,https://nime.org/proc/berthaut2013/index.html,
386,2013,Netpixl,"Dimitri Diakopoulos, and Ajay Kapur",soft, a new micro-toolkit built to network devices within interactive installations and environments,https://nime.org/proc/diakopoulos2013/index.html,
387,2013,Notesaaz,"Erfan Abdi Dezfouli, and Edwin van der Heide",hard,physical interface meant for musical performance and aproposal for a three-stage process where the controller is used to navigate within a graphical score that on its turn controls the sound generation,https://nime.org/proc/dezfouli2013/index.html,
388,2013,VOSIS,Ryan McGee,soft,a Multi-touch Image Sonification Interface,https://nime.org/proc/mcgee2013/index.html,
389,2013,Sound Surfing Network (SSN),"Saebyul Park, Seonghoon Ban, Dae Ryong Hong, and Woon Seung Yeo",soft,Mobile Phone-based Sound Spatialization with Audience Collaboration,https://nime.org/proc/park2013b/index.html,
390,2013,AlphaSphere,"Adam Place, Liam Lacey, and Thomas Mitchell",hard," an electronic musical instrument featuring a series oftactile, pressure sensitive touch pads arranged in a spherical form",https://nime.org/proc/place2013/index.html,
391,2013,Flag beat,"Stefano Trento, and Stefania Serafin",hard,interface for rhythmic musical expression for kids,https://nime.org/proc/trento2013/index.html,
392,2013,Sonic Tennis,"Stefano Baldan, Amalia De Götzen, and Stefania Serafin",soft,a rhythmic interaction game for mobile devices,https://nime.org/proc/baldan2013/index.html,
393,2013,"Jesse Allison, Yemin Oh, and Benjamin Taylor","esse Allison, Yemin Oh, and Benjamin Taylor",soft,"open source project fro mobile devices (smarphones, tablets), which contains a set of nexusUI javascript objects demonstrating many dynamic functions that can be done within the canvas object",https://nime.org/proc/allison2013/index.html,
394,2013,GIBBERISH,"Charles Roberts, Graham Wakefield, and Matthew Wright",soft,AN OPTIMIZED JAVASCRIPT AUDIO LIBRARY,https://nime.org/proc/roberts2013a/index.html,
395,2013,the Recorded Pianist,"Xiao Xiao, Anna Pereira, and Hiroshi Ishii",soft,uses video mapping interface to conjure the recorded performer by combining the moving keys of a player piano with life-sized projection of the pianist's hands and upper body,https://nime.org/proc/xiao2013/index.html,
396,2013,"Easily Removable, wireless Optical Sensing System (EROSS)","Leonardo Jenkins, Shawn Trail, George Tzanetakis, Peter Driessen, and Wyatt Page",hard," a minimally-invasive, wireless optical sensor system for use with any conventional piston valve acoustic trumpet",https://nime.org/proc/jenkins2013/index.html,
397,2013,Musical Poi (mPoi),Sangbong Nam,hard,sensor-based musical instrument rooted in the ancient art of poi spinning,https://nime.org/proc/nam2013/index.html,
398,2013,Cloud Bridge,"Qian Liu, Yoon Chung Han, JoAnn Kuchera-Morin, and Matthew Wright",soft,a Data-driven Immersive Audio-Visual Software Interface,https://nime.org/proc/liu2013/index.html,
399,2013,Gamelan Sampul,Antonius Wiriadjaja,hard,a laptop sleeve with embedded circuitry that allows users to practice playing Javanese gamelan instruments without a full set ofinstruments,https://nime.org/proc/wiriadjaja2013/index.html,
400,2013,Mira,"Sam Tarakajian, David Zicarelli, and Joshua Clayton",soft,iPad app for controlling Max patchers in real time with minimal configuration,https://nime.org/proc/tarakajian2013/index.html,
401,2013,PAMDI Music Box,Rebecca Kleinberger,hard,an electromechanical music controller based on an expansion of the common metal music boxes,https://nime.org/proc/kleinberger2013/index.html,
402,2013,Fortissimo,"Tae Hong Park, and Oriol Nieto",hard,"Force-Feedback for Mobile Devices, using foam pads",https://nime.org/proc/park2013c/index.html,
403,2013,NoiseBear,"Mick Grierson, and Chris Kiefer",hard,Malleable Wireless Controller Designed In Participation with Disabled Children,https://nime.org/proc/grierson2013/index.html,
404,2013,Variator,"Avneesh Sarwate, and Rebecca Fiebrink",soft," a compositional assistance tool that allows users to quickly produce and experiment with variations on musical objects, such as chords,melodies, and chord progressions.",https://nime.org/proc/sarwate2013/index.html,
405,2013,the Illusio,"Filipe Calegario Jerônimo Barbosa, and Giordano Cabral",hard,A drawing interface. augmented multi-touch interface that combines a traditional multi-touch surface and a device similar to a guitar pedal,https://nime.org/proc/barbosa2013/index.html,
406,2013,Remix_Dance 3,"Jaeseong You, and Red Wierenga",soft,a four-channel quasi-fixed media piece that can be improvised by a single player operating the Max/MSP-based controller on atablet such as iPad,https://nime.org/proc/you2013/index.html,
407,2013,MAGE 2.0,"Maria Astrinaki, Nicolas d'Alessandro, Loïc Reboursière, Alexis Moinet, and Thierry Dutoit",soft,performative HMM-basedspeech and singing synthesis library,https://nime.org/proc/astrinaki2013/index.html,
408,2013,the Sound Wheel ,Shoken Kaneko,soft,a function-oriented musical interface,https://nime.org/proc/kaneko2013/index.html,
409,2013,Jam On,"Ulysse Rosselet, and Alain Renaud",soft,a new interface for web-based collective music performance,https://nime.org/proc/rosselet2013/index.html,
410,2013,Digiti Sonus,"Yoon Chung Han, Byeong-jun Han, and Matthew Wright",soft, a framework that transforms fingerprint patterns intoaudio,https://nime.org/proc/han2013a/index.html,
411,2013,Kontrol,"Kameron Christopher, Jingyin He, Raakhi Kapur, and Ajay Kapur",hard,Hand Gesture Recognition for Music and Dance Interaction. 5 axelerometers on each finger and multiplexer,https://nime.org/proc/christopher2013/index.html,
412,2013,Sound Spray,"Gibeom Park, and Kyogu Lee",hard,"a sound effect device, which was applicable for spray paint art process",https://nime.org/proc/park2013a/index.html,
413,2013,BioSync,"Yuan-Yi Fan, and Myles Sciotto",hard,merges the heart-rate based paradigm with the brain-wave based paradigm into one mobile unit which is scalable for large audience real-time applications,https://nime.org/proc/fan2013a/index.html,
414,2013,PENny,"ohnty Wang, Nicolas d'Alessandro, Aura Pon, and Sidney Fels",hard,An Extremely Low-Cost Pressure-Sensitive Stylus for Existing Capacitive Touchscreens,https://nime.org/proc/wang2013/index.html,
415,2013,Air Violin,"Xin Fan, and Georg Essl",hard,A Body-centric Style Musical Instrument,https://nime.org/proc/fan2013/index.html,
416,2013,SoundCraft,"Mark Cerqueira, Spencer Salazar, and Ge Wang",soft, a framework that enables real-time data gathering from aStarCraft 2 game to external software applications,https://nime.org/proc/cerqueira2013/index.html,
417,2013,The Quarterstaff,Jan C. Schacher,hard,a gestural sensor instrument ,https://nime.org/proc/schacher2013a/index.html,
418,2013,Digitartic,"Lionel Feugère, and Christophe d'Alessandro",soft,bi-manual gestural control of articulation in performative singing synthesis using wacom styluses and MAX,https://nime.org/proc/feugere2013/index.html,
419,2013,Laptap,"Dae Ryong Hong, and Woon Seung Yeo",soft,Laptop Computer as a Musical Instrument using Audio Feedback,https://nime.org/proc/hong2013/index.html,
420,2013,SoloTouch,"Jackie, Yi Tang Chui, Mubarak Marafa, Samson, and Ka Fai Young",hard,A Capacitive Touch Controller with Lick-based Note Selector,https://nime.org/proc/jackie2013/index.html,
421,2013,Coral,"Daniel Bisig, and Sébastien Schiesser",hard,a Physical and Haptic Extension of a Swarm Simulation,https://nime.org/proc/bisig2013/index.html,
422,2013,Paralinguistic Microphone,"Alex McLean, EunJoo Shin, and Kia Ng",soft,"uses a camera and computer vision to translate mouth shapes to sounds + a work-in-progress, which adds physical modelling synthesis as a sound source",https://nime.org/proc/mclean2013/index.html,
423,2013,WAAX,"Hongchan Choi, and Jonathan Berger",soft, a JavaScript library extention to facilitate music and audio programming based on Web Audio API bypassing underlying tasks and augmenting useful features,https://nime.org/proc/choi2013/index.html,
424,2013,Kinect Instrument Builder (KIB),Edward Zhang,soft,Simplifying Gestural Instrument Creation Using Widgets for Kinect,https://nime.org/proc/zhang2013/index.html,
425,2013,Kinectofon,Alexander Refsum Jensenius,soft,Kinect-based instrument for creating sounds through free-hand interaction in a 3D space,https://nime.org/proc/jensenius2013/index.html,
426,2013,Stompboxes,"Gregory Burlet, and Ichiro Fujinaga",soft,"A realtime gesture recognition system, which automatically toggles digital audio effects according to gestural information captured by anaccelerometer attached to the body of a guitar. Uses iphone and laptop. ",https://nime.org/proc/burlet2013/index.html,
427,2013,POWDER BOX,"Yoshihito Nakanishi, Seiichiro Matsumura, and Chuichi Arakawa",hard,"sensor-based replaceable interfaces, which enable participants to discover and select their favorite playing styles of musical instruments",https://www.nime.org/proceedings/2013/nime2013_101.pdf,
428,2014,AlphaSphere,"Adam Place, Liam Lacey, and Thomas Mitchell",hard,revisiting the AlphaSphere from 2013,https://nime.org/proc/aplace2014/index.html,
429,2014,Auraglyph and LipiTk,"Spencer Salazar, and Ge Wang",soft,"iPhone app where software objects are created, parameterized, and interconnected via stylus and touch input, based on an advanced handwriting recognition framework, LipiTk, which can be trained to recognize both alphanumeric characters and arbitrary figures, shapes, and patterns",https://nime.org/proc/ssalazar2014/index.html,
430,2014,16-CdS,Carlos Dominguez,hard,an Arduino microcontroller with a grid of photoresistors set into a slab of wood covered with a thin acrylic sheet,https://nime.org/proc/cdominguez2014/index.html,
431,2014,LapBox,Edgar Berdahl,hard,an embedded musical instrument that provides a direct acoustic output,https://nime.org/proc/eberdahl2014/index.html,
432,2014,Mobile Ad-hoc Network (MANET),"Sang Won Lee, Georg Essl, and Z. Morley Mao",soft,a way to distribute mobile applications using mobile ad-hoc network in the context of audience participation,https://nime.org/proc/slee12014/index.html,
433,2014,CloudOrch,Abram Hindle,soft,"a portable cloud-friendly method of streaming, almost a cloud soundcard, whereby performers can use mobile devices (Android, iOS, laptops) to stream audio from the cloud with far lower latency than technologies like icecast",https://nime.org/proc/ahindle12014/index.html,
434,2014,The Birl,"Jeff Snyder, and Danny Ryan",hard,An Electronic Wind Instrument Based on an Artificial Neural Network Parameter Mapping Structure,https://nime.org/proc/jsnyder12014/index.html,
435,2014, BigBang rubette ,"Daniel Tormoen, Florian Thalmann, and Guerino Mazzola",soft," an extension of the Rubato Composer software. enables composers and improvisers to operate BigBang using the Leap Motion controller, which uses two cameras to detect hand motions in three-dimensional space ",https://nime.org/proc/fthalmann2014/index.html,
436,2014,Circle Squared and Circle Keys,Palle Dahlstedt,soft,"these are two interfaces for Yamaha's Disklavier piano. They mention custom sensors, but those are not shown in the paper. so it is unclear what it is.",https://nime.org/proc/pdahlstedt2014/index.html,
437,2014,Pitch Canvas,"Bradley Strylowski, Jesse Allison, and Jesse Guessford",soft,Apple iPad tablet computers using a libPd to convert user interaction into audio,https://nime.org/proc/jallison2014/index.html,
438,2014,Lich.js,Chad McKinney,soft,web-browser based collaborative live-coding environment,https://nime.org/proc/cmckinney2014/index.html,
439,2014,"the Touché project, SweepingCapSense ","Colin Honigman, Jordan Hochenbaum, and Ajay Kapur",soft,"the paper is about An Open Source Approach to Swept Frequency Capacitive Sensing, BUT it mentiones the initial project Touche' (Disney Research), and provides an arduino library SweepingCapSense",https://nime.org/proc/chonigman2014/index.html,
440,2014,PiaF (Piano Follower),"Alejandro Van Zandt-Escobar, Baptiste Caramiaux, and Atau Tanaka",soft,a prototype for augmenting piano performance by measuring gesture variations (using Kinect),https://nime.org/proc/avanzandt2014/index.html,
441,2014,Twkyr,"Karl Yerkes, and Matthew Wright",soft,"emphasizes realtime manipulation, audification, and visualization of waveforms with a multitouch surface, offering different interactivity at different time scales, within the same waveform",https://nime.org/proc/kyerkes2014/index.html,
442,2014,Rhythm Apparatus on Overhead,Christian Faubel,hard, robotic apparatus is placed on an overhead projector and a visual presentation of rhythmic patterns is delivered as a shadow play,https://nime.org/proc/cfaubel12014/index.html,
443,2014,TreeQuencer,"Niklas Klügel, Gerhard Hagerer, and Georg Groh",soft,"it looks like a CV-based collaborative GUI, although paper is not very clear",https://nime.org/proc/nklugel2014/index.html,
444,2014,El-Lamellophone  (El-La) ,"Shawn Trail, Duncan MacConnell, Leo Jenkins, Jeff Snyder, George Tzanetakis, and Peter Driessen",hard,a Lamellophone hyperinstrument incorporating electronic sensors and integrated DSP,https://nime.org/proc/strail2014/index.html,
445,2014,fhnw.audiowalk.state ,"Thomas Resch, and Matthias Krebs",soft,MAX object for server-based indoor audio walks,https://nime.org/proc/tresch2014/index.html,
446,2014,The Actuated guitar,"Jeppe Larsen, Dan Overholt, and Thomas Moeslund",hard,enable people with hemiplegia to play a real electrical guitar by modifying it in a way that make people with hemiplegia able to actually play the guitar - i.e. putting actuators into the guitar.,https://nime.org/proc/jlarsen2014/index.html,
447,2014,"NexusUI , NexusUp, and NexusDrop","Benjamin Taylor, Jesse Allison, William Conlin, Yemin Oh, and Daniel Holmes",soft,a JavaScript framework that enables rapid prototyping and development of expressive multitouch electronic instrument interfaces within a web browser,https://nime.org/proc/btaylor2014/index.html,
448,2014,SoundXY4: The Art of Noise,"Anna Xambó, Gerard Roma, Robin Laney, Chris Dobbyn, and Sergi Jordà",soft,a spatial tabletop TUI system that includes sound samples inspired by Russolo's taxonomy of noises,https://nime.org/proc/axambo2014/index.html,
449,2014,Andante,"Xiao Xiao, Basheer Tome, and Hiroshi Ishii",soft,a representation of music as animated characters walking along the piano keyboard that appear to play the physical keys with each step,https://nime.org/proc/xxiao2014/index.html,
450,2014,Sounds of Solitaire,Kirsty Keatch,hard, interface for musical expression based on an extended peg solitaire board as a generator of live musical composition,https://nime.org/proc/kkeatch2014/index.html,
451,2014,"TAPIR Sound Tag (Theoretically Audible, but Practically Inaudible Range: frequencies above 18kHz)","Jimin Jeon, Gunho Chae, Edward Jangwon Lee, and Woon Seung Yeo",soft,"an enhanced sonic data communication method. Using inaudible sound as a data medium, a digital data network among the audience and performer can be easily built with microphones and speakers, without requiring any additional hardware",https://nime.org/proc/jjeon2014/index.html,
452,2014,Soundbeam,"Charles Hutchins, Holger Ballweg, Shelly Knotts, Jonas Hummel, and Antonio Roberts",soft,A Platform for Sonyfing Web Tracking,https://nime.org/proc/chutchins2014/index.html,
453,2014,SynthAssist,"Mark Cartwright, and Bryan Pardo",soft,Querying an Audio Synthesizer by Vocal Imitation,https://nime.org/proc/mcartwright2014/index.html,
454,2014,Reunion2012,"Anders Tveit, Hans Wilmers, Notto Thelle, Magnus Bugge, Thom Johansen, and Eskil Muan Sæthe",hard,"electronically modified chessboard, chess players and electronic instruments",https://nime.org/proc/mbugge2014/index.html,
455,2014,Striso,Piers Titus van der Torren,hard, a Compact Expressive Instrument Based on a New Isomorphic Note Layout,https://nime.org/proc/pvandertorren12014/index.html,
456,2014,SPINE,"Aristotelis Hadjakos, and Simon Waloschek",hard,A TUI Toolkit and Physical Computing Hybrid,https://nime.org/proc/ahadjakos12014/index.html,
457,2014,TrAP (TRace-A-Phrase) ,"Udit Roy, Tejaswinee Kelkar, and Bipin Indurkhya",soft,An Interactive System to Generate Valid Raga Phrases from Sound-Tracings,https://nime.org/proc/tkelkar2014/index.html,
458,2014,3DinMotion,"Alain Renaud, Caecilia Charbonnier, and Sylvain Chagué",soft,A Mocap Based Interface for Real Time Visualisation and Sonification of Multi-User Interactions,https://nime.org/proc/arenaud2014/index.html,
459,2014, the Parallaxis Score System,Rob Canning,soft,"places these texts within a networked, interactive environment with a generalised set of controls in order to explore and devise ontologies of network performance",https://nime.org/proc/rcanning2014/index.html,
460,2014,Intonaspacio,"Clayton Mamedes, Mailis Rodrigues, Marcelo M. Wanderley, Jônatas Manzolli, Denise H. L. Garcia, and Paulo Ferreira-Lopes",hard,"paper is about Entoa, the first written music for Intonaspacio",https://nime.org/proc/mrodrigues2014/index.html,
461,2014, the Talking Guitar,"Liam Donovan, and Andrew McPherson",hard,electric guitar augmented with a system which tracks the position of the headstock in real time and uses that data to control the parameters of a formant-filtering effect which impresses upon the guitar sound a sense of speech,https://nime.org/proc/ldonovan2014/index.html,
462,2014,Improvasher,"Matthew Davies, Adam Stark, Fabien Gouyon, and Masataka Goto",soft, a real-time musical accompaniment system which creates an automatic mashup to accompany live musical input,https://nime.org/proc/mdavies2014/index.html,
463,2014,the OWL,"Thomas Webster, Guillaume LeNost, and Martin Klang",hard,"an on-stage pedal dedicated, programmable audio device designed to provide an alternative to the use of laptop computers for bespoke audio processing on stage for music performance.",https://nime.org/proc/twebster12014/index.html,
464,2014,CHIMAERA,Hanspeter Portner,hard,The Poly-Magneto-Phonic Theremin An Expressive Touch-Less Hall-Effect Sensor Array,https://nime.org/proc/hportner2014/index.html,
465,2014,The Urban Crickets,"Reinhard Gupfinger, and Martin Kaltenbrunner",hard,portable devices for urbanistic sound exploration of streets,https://nime.org/proc/rgupfinger2014/index.html,
466,2014,FingerSynth,"Gershon Dublon, and Joseph A. Paradiso",hard,Wearable Transducers for Exploring the Environment and Playing Music Everywhere,https://nime.org/proc/gdublon2014/index.html,
467,2014,Pd-L2Ork Raspberry Pi Toolkit,Ivica Bukvic,soft,integrated Pd-L2Ork system and its K12 educational counterpart running on Raspberry Pi hardware,https://nime.org/proc/ibukvic2014/index.html,
468,2014,the Manhattan system,Chris Nash,soft,integrates formulas with a grid-based style of music sequencer,https://nime.org/proc/cnash2014/index.html,
469,2014,The Nexus Data Exchange Format (NDEF),"Lawrence Fyfe, Adam Tindale, and Sheelagh Carpendale",soft, an Open Sound Control (OSC) namespace specification designed to make connection and message management tasks easier for OSC-based networked performance systems,https://nime.org/proc/lfyfe2014/index.html,
470,2014,Rub Synth,Ozan Sarier,soft,is a touch screen musical instrument with an exertion interface. Implementing Intentional Physical Difficulty Into Touch Screen Music Controllers,https://nime.org/proc/osarier2014/index.html,
471,2014,The Manipuller II,"Adrián Barenca, and Milos Corak",hard,is a musical interface based on strings and multi-dimensional force sensing. a revisit of the The Manipuller from 2011.,https://nime.org/proc/abarenca2014/index.html,
472,2014, the AirSticks,"Alon Ilsar, Mark Havryliv, and Andrew Johnston",soft,not the AirStick from 2005. It is a software for market-available game controllers Razer Hydra Gaming.,https://nime.org/proc/ailsar2014/index.html,not the AirStick from 2005
473,2014,Polus,"Blake Johnston, Henry Dengate Thrush, Ajay Kapur, Jim Murphy, and Tane Moleta",hard,a series of new mechanically bowed string instruments,https://nime.org/proc/bjohnston2014/index.html,
474,2014,the Chronus series,"Bridget Johnson, Michael Norris, and Ajay Kapur",hard,a family of custom controllers that afford a performer gestural interaction with surround sound systems that can be easily integrated into their personal performance systems,https://nime.org/proc/bjohnson2014/index.html,
475,2014,Sound Analyser,Adam Stark,soft,A Plug-In for Real-Time Audio Analysis in Live Performances and Installations,https://nime.org/proc/astark2014/index.html,
476,2014,Wubbles,"Florent Berthaut, and Jarrod Knibbe",soft,Kinect based. A collaborative digital musical instrument that uses the ephemeral and physical properties of soap bubbles to explore the complexity layers and oscillating parameters of electronic (bass) music,https://nime.org/proc/fberthaut2014/index.html,
477,2014,B.O.M.B. - Beat Of Magic Box,"Yoshihito Nakanishi, Seiichiro Matsumura, and Chuichi Arakawa",hard,Stand-Alone Synthesizer Using Wireless Synchronization System For Musical Session and Performance,https://nime.org/proc/ynakanishi2014/index.html,
478,2014,TouchNoise,"Axel Berndt, Nadia Al-Kassab, and Raimund Dachselt",soft,A Particle-based Multitouch Noise Modulation Interface,https://nime.org/proc/aberndt2014/index.html,
479,2014,Radear,"Daniel Gábana Arellano, and Andrew McPherson",hard, circular tangible interface where one or multiple users can collaborate and interact in real time by placing and moving passive wooden pucks on a transparent tabletop in order to create music,https://nime.org/proc/dgabanaarellano2014/index.html,
480,2014,AudioQuilt,"Ohad Fried, Zeyu Jin, Reid Oda, and Adam Finkelstein",soft,2D Arrangements of Audio Samples using Metric Learning and Kernelized Sorting,https://nime.org/proc/ofried2014/index.html,
481,2014,Tangle,"Paul Mathews, Ness Morris, Jim Murphy, Ajay Kapur, and Dale Carnegie",hard,a Flexible Framework for Performance with Advanced Robotic Musical Instruments,https://nime.org/proc/pmathews2014/index.html,
482,2014,The Robotic Taishogoto,Jason Long,hard,Plug 'n Play Desktop Performance Instrument,https://nime.org/proc/jlong2014/index.html,
483,2014, the Modulome System,"Timothy J Barraclough, Jim Murphy, and Ajay Kapur",hard,hardware interface set for group-based electronic music performance and installation,https://nime.org/proc/tbarraclough2014/index.html,
484,2014,CollideFx,Chet Gnegy,soft, a real-time audio effects processor that integrates the physics of real objects into the parameter space of the signal chain,https://nime.org/proc/cgnegy12014/index.html,
485,2014,the Sponge,Martin Marier,hard,revisit the Sponge from 2010,https://nime.org/proc/mmarier2014/index.html,
486,2014,WIJAM,"Jun-qi Deng, Francis Chi Moon Lau, Ho-Cheung Ng, Yu-Kwong Kwok, Hung-Kwan Chen, and Yu-heng Liu",soft,A Mobile Collaborative Improvisation Platform under Master-players Paradigm,https://nime.org/proc/jdeng2014/index.html,
487,2014,Orphion,"Sebastian Trump, and Jamie Bullock",soft,A Gestural Multi-Touch Instrument for the iPad,https://nime.org/proc/strump2014/index.html,
488,2014, the Threnoscope system,Thor Magnusson,soft,includes a live coding micro-language for drone-based microtonal composition,https://nime.org/proc/tmagnusson2014/index.html,
489,2014,Harmonic Motion,"Tim Murray-Browne, and Mark Plumbley",soft,A Toolkit for Processing Gestural Data for Interactive Sound,https://nime.org/proc/tmurraybrowne2014/index.html,
490,2014,"eMersion , eMotion, Twist eMote","Chet Udell, and James Paul Sain",hard,Sensor-controlled Electronic Music Modules & Digital Data Workstation,https://nime.org/proc/cudell2014/index.html,
491,2014,Rasper,"Mo Zareei, Ajay Kapur, and Dale A. Carnegie",hard,"a new mechatronic noise-intoner that features an electromechanical apparatus to create noise physically, while regulating it rhythmically and timbrally",https://nime.org/proc/mzareei2014/index.html,
492,2014,"The Well-Sequenced Synthesizer: The Counterpointer, El Ordenador, La Mecánica ",Luisa Pereira Hors,hard,"paper describes three sequencers. they are presented as hardware, but paper has no photographs - only diagrams. so it is unclear if they ever existed. in google though it is possible to find pictures.",https://nime.org/proc/lpereira2014/index.html,
493,2015,GoOSC,Andres Cabrera,soft," a mobile application implementing ideas of a decentralized, server-less and peer-to-peer network for the interchange of musical control interfaces and data using the OSC protocol",https://nime.org/proc/acabrera2015/index.html,
494,2015,the Textural Crossfader ,"Matthew Blessing, and Edgar Berdahl",hard,"A LapBox (2014) derivative. a keyboard-based embedded acoustic instrument, which sits comfortably across the performer's lap and radiates sound out of integrated stereo speakers.",https://nime.org/proc/mblessing2015/index.html,a lot of 2015 entires have videos
495,2015,Tingle,"Rhys Duindam, Diemo Schwarz, and Hans Leeuw",hard,"digital music controller that attempts to recapture the acoustic touch and feel, and also gives new opportunities for expressive play. it is based on a pin art imprint toy. ",https://nime.org/proc/rduindam2015/index.html,
496,2015,Womba,"Aura Pon, Johnty Wang, Laurie Radford, and Sheelagh Carpendale",hard,"A Musical Instrument for an Unborn Child, ",https://nime.org/proc/apon2015/index.html,
497,2015,The Pearl,"Ian Hattwick, and Marcelo Wanderley",hard,a spherical hand-held wireless controller embedded with various sensor technologies and interactive lighting,https://nime.org/proc/ihattwick2015/index.html,
498,2015,Harmonic Intonation Trainer,"Hsin-Ming Lin, and Chin-Ming Lin",soft,PD based. A user can tune his pitch while optionally hearing (through earphones) the target pitch and other harmonic intervals in respective octaves.,https://nime.org/proc/hlin2015/index.html,
499,2015,Gestroviser,"William Marley, and Nicholas Ward",soft,"extension to the Reactable,functions by sampling a performers input, processing or reshaping this sampled input, and then repeatedly replaying it",https://nime.org/proc/wmarley2015/index.html,
500,2015,The Pneumatic Practice Pad ,"Eric Sheffield, Sile O'Modhrain, Michael Gould, and Brent Gillespie",hard, a commercially available 10'' practice pad that has been modified to allow for tension changes in a matter of seconds using a small electric air pump.,https://nime.org/proc/esheffield2015/index.html,
501,2015,The Haptic Hand,"Edgar Berdahl, and Denis Huber",hard,a greatly simplified robotic hand that is designed to mirror the human hand and provide haptic force feedback for applications in music,https://nime.org/proc/eberdahl2015/index.html,
502,2015,WamBam,"Arvid Jense, and Hans Leeuw",hard,a self-contained electronic hand-drum meant for music therapy sessions with severely intellectually disabled clients,https://nime.org/proc/ajense2015/index.html,
503,2015,RWA (Real World Audio),Thomas Resch,soft,"an extendable audio game engine for targeting smartphone operating systems, which rolls out all functionality for the generation of the above-mentioned software genres",https://nime.org/proc/tresch2015/index.html,
504,2015,AirPiano,"Nicolas d'Alessandro, Joëlle Tilmanne, Ambroise Moreau, and Antonin Puleo",hard,"A Multi-Touch Keyboard with Hovering Control, based on leap motion and wacom tablet. with custom augmentation.",https://nime.org/proc/ndalessandro2015/index.html,
505,2015, the Peripipe,"Tommy Feldt, Sarah Freilich, Shaun Mendonsa, Daniel Molin, and Andreas Rau",hard,a tangible remote control for a music player that comes in the shape of a wooden tobacco pipe,https://nime.org/proc/arau2015/index.html,
506,2015,VESBALL,"Ajit Nath, and Samson Young",hard,A ball-shaped instrument for music therapy,https://nime.org/proc/anath2015/index.html,
507,2015,the MotionComposer,"Andreas Bergsland, and Robert Wechsler",soft,"device for persons with disabilities. uses video and 3D sensor-based motion tracking to turn
movement into music.",https://nime.org/proc/abergsland2015/index.html,
508,2015,The Bistable Resonator Cymbal,"Andrew Piepenbrink, and Matthew Wright",hard,An Actuated Acoustic Instrument Displaying Physical Audio Effects,https://nime.org/proc/apiepenbrink2015/index.html,
509,2015,BRAAHMS,"Beste Filiz Yuksel, Daniel Afergan, Evan Peck, Garth Griffin, Lane Harrison, Nick Chen, Remco Chang, and Robert Jacob",soft, brain-computer interface (BCI) integrated with a musical instrument that adapts implicitly (with no extra effort from user) to users' changing cognitive state during musical improvisation,https://nime.org/proc/byuksel2015/index.html,
510,2015,MalLo,"Zeyu Jin, Reid Oda, Adam Finkelstein, and Rebecca Fiebrink",soft,A Distributed Synchronized Musical Instrument Designed For Internet Performance,https://nime.org/proc/roda2015/index.html,
511,2015,MMODM,"Basheer Tome, Donald Derek Haddad, Tod Machover, and Joseph Paradiso",soft,"Massively Multipler Online Drum Machine, based on the Twitter streaming API",https://nime.org/proc/btome2015/index.html,
512,2015, The Pandiv´a and the Giromin,"Jerônimo Barbosa, Filipe Calegario, João Tragtenberg, Giordano Cabral, Geber Ramalho, and Marcelo M. Wanderley",hard,paper focuses on methodology and lessons learned form designing NIMEs (the two particular ones) for popular music in Brasil. ,https://nime.org/proc/fcalegario2015/index.html,
513,2015,GENESIS,"Jérôme Villeneuve, Claude Cadoz, and Nicolas Castagné",soft,a musician-oriented software environment for sound synthesis and musical composition,https://nime.org/proc/jvilleneuve2015/index.html,
514,2015,ml.lib,"Jamie Bullock, and Ali Momeni",soft,"Robust, Cross-platform, Open-source Machine Learning for Max and Pure Data",https://nime.org/proc/amomenib2015/index.html,
515,2015,Caress,Ali Momeni,hard, an electroacoustic percussive instrument that blends drumming and audio synthesis in a small and portable form factor. an octophonic miniature drum-set for the fingertips,https://nime.org/proc/amomeni2015/index.html,
516,2015,Fields,"Tim Shaw, Sébastien Piquemal, and John Bowers",soft,a sound diffusion performance implemented with web technologies that run on the mobile devices of audience members,https://nime.org/proc/tshaw2015/index.html,
517,2015,Sense of Space,"Masami Hirabayashi, and Kazuomi Eshima",soft, uses the sound ID with high frequency sound DTMF,https://nime.org/proc/mhirabayashi2015/index.html,
518,2015,The Multi-touch music table,Simon Lui,soft,a more DIY version of reacTable-like touch surface \ DIY touch display based on camera and back projection,https://nime.org/proc/slui2015/index.html,
519,2015,Reflets,"Florent Berthaut, Diego Martinez, Martin Hachet, and Sriram Subramanian",soft,"a mixed-reality environment for musical performances that allows for freely displaying virtual content on stage, such as 3D virtual musical interfaces or visual augmentations of instruments and performers",https://nime.org/proc/fberthaut2015/index.html,
520,2015,SEPTAR,"Richard Graham, and John Harding",hard,Audio Breakout Design for Multichannel Guitar. a mountable 13-pin DIN connection to improve compatibility with commercial multichannel pickup systems,https://nime.org/proc/rgrahamb2015/index.html,
521,2015,MuMYO,"Kristian Nymoen, Mari Romarheim Haugen, and Alexander Refsum Jensenius",soft,prototype instrument based on the MYO armband from Thalmic Labs,https://nime.org/proc/ajenseniusb2015/index.html,
522,2015,The Bucket System,"Palle Dahlstedt, Per Anders Nilsson, and Gino Robair",soft,A computer mediated signalling system for group improvisation,https://nime.org/proc/pdahlstedtb2015/index.html,
523,2015,PHOX Ears,"Rebecca Kleinberger, Gershon Dublon, Joseph A. Paradiso, and Tod Machover",hard,"A Parabolic, Head-mounted, Orientable, eXtrasensory Listening Device",https://nime.org/proc/gdublon2015/index.html,
524,2015,MusicMapper,"Ethan Benjamin, and Jaan Altosaar",soft,Interactive 2D representations of music samples for in-browser remixing and exploration,https://nime.org/proc/jaltosaar2015/index.html,
525,2015,MobileFaust,"Romain Michon, Julius Orion Smith III, and Yann Orlarey",soft,a Set of Tools to Make Musical Mobile Applications with the Faust Programming Language,https://nime.org/proc/rmichon2015/index.html,
526,2015,The Feedback Lap Steel ,Jiffer Harriman,hard, an actuated instrument which makes use of mechanical vibration of the instruments bridge to excite the strings,https://nime.org/proc/jharrimanb2015/index.html,
527,2015,The Hayward Tuning Vine,Robin Hayward,soft,a software interface for exploring the system of microtonal tuning known as Just Intonation,https://nime.org/proc/rhayward2015/index.html,
528,2015,MARIE,"Troy Rogers, Steven Kemper, and Scott Barton",hard,Monochord-Aerophone Robotic Instrument Ensemble,https://nime.org/proc/skemper2015/index.html,
529,2015,LiVo,"Kazuhiko Yamamoto, and Takeo Igarashi",soft,enables control of a singing voice synthesizer at a live improvisational performance,https://nime.org/proc/kyamamoto2015/index.html,
530,2015,GroupLoop,"David Ramsay, and Joseph Paradiso",soft,"A Collaborative, Network-Enabled Audio Feedback Instrument",https://nime.org/proc/dramsay2015/index.html,
531,2015,claVision,"Mohammad Akbari, and Howard Cheng",soft,Visual Automatic Piano Music Transcription,https://nime.org/proc/makbari2015/index.html,
532,2015,ChordEase,Chris Korda,soft,"A MIDI remapper for intuitive performance of non-modal music. modifies the behavior of ordinary MIDI instruments, giving them new interfaces that permit non-modal music to be approached as if it were modal ",https://nime.org/proc/ckorda2015/index.html,
533,2016,BlockyTalky,"R. Benjamin Shapiro, Rebecca Fiebrink, Matthew Ahrens, and Annie Kelly",soft,A Physical and Distributed Computer Music Toolkit for Kids,https://nime.org/proc/shapiro2016/index.html,
534,2016,Minimally Invasive Gesture Sensing Interface (MIGSI) for Trumpet,"Sarah Reid, Ryan Gaston, Colin Honigman, and Ajay Kapur",hard, interface attaches effortlessly to any B-flat or C trumpet and requires no permanent modifications to the host-instrument,https://nime.org/proc/reid2016/index.html,
535,2016,XronoMorph,"Andrew J. Milne, Steffen A. Herff, David Bulger, William A. Sethares, and Roger T. Dean",soft,"makes use of visual and geometrical conceptualizations of rhythms, and allows the user to smoothly morph between rhythms",https://nime.org/proc/milne2016/index.html,
536,2016,Distributed Interactive Audio Devices (DIADs),"Oliver Bown, and Sam Ferguson",hard,"battery powered wirelessly networked
single board systems with attached loudspeakers",https://nime.org/proc/bown2016/index.html,
537,2016,PourOver,"Kevin Schlei, Chris Burns, and Aidan Menuge",soft,"open iOS framework designed to connect iOS control sources (hardware sensors, user input, custom algorithms) to an audio graph's parameters. has PD implementation.",https://nime.org/proc/schlei2016/index.html,
538,2016,PORTAL,"Gorkem Ozdemir, Anil Camci, and Angus Forbes",hard,An Audiovisual Laser Performance System,https://nime.org/proc/ozdemir2016/index.html,
539,2016,SoundMorpheus,"Christopher Benson, Bill Manaris, Seth Stoudenmier, and Timothy Ward",soft,A Myoelectric-Sensor Based Interface for Sound Spatialization and Shaping. it is based on marked available MYO sensors.,https://nime.org/proc/benson2016/index.html,
540,2016,x2Gesture (eXpert eXpressive Gesture),"Christina Volioti, Sotiris Manitsaris, Eleni Katsouli, and Athanasios Manitsaris",soft,"3D gesture recognition engine, inspired by the Gesture Variation Follower, which is initially designed and developed at IRCAM in Paris and then extended at Goldsmiths College in London",https://nime.org/proc/volioti2016/index.html,
541,2016,Leimu,"Dom Brown, Nathan Renney, Adam Stark, Chris Nash, and Tom Mitchell",hard,Gloveless Music Interaction Using a Wrist Mounted Leap Motion. Uses custom mounting.,https://nime.org/proc/brown2016/index.html,
542,2016,Microtonal Flutes,"Matthew Dabin, Terumi Narushima, Stephen Beirne, Christian Ritz, and Kraig Grady",hard,3D Modelling and Printing of Microtonal Flutes,https://nime.org/proc/dabin2016/index.html,
543,2016,residUUm,"Ireti Olowe, Giulio Moro, and Mathieu Barthet",soft,audiovisual performance tool that uses sonification to orchestrate a particle system of shapes,https://nime.org/proc/olowe2016/index.html,
544,2016,Church Belles,Si Waite,soft,An Interactive System and Composition Using Real-World Metaphors,https://nime.org/proc/waite2016/index.html,
545,2016,Kinéphone,"Xiao Xiao, Donald Derek Haddad, Thomas Sanchez, Akito van Troyer, Rébecca Kleinberger, Penny Webb, Joe Paradiso, Tod Machover, and Hiroshi Ishii",hard," three new instruments that use the shape display not only as an input device, but also as a source of acoustic sound",https://nime.org/proc/xiao2016/index.html,
546,2016, SICMAP (Systéme Interactif de Captation du Mouvement en Art Performatif - Interactive Motion Capture System For The Performative Arts),Barah Héon-Morissette,soft,Interactive Motion Capture System For The Performative Arts,https://nime.org/proc/hnicode233onmorissette2016/index.html,
547,2016,the BladeAxe,"Romain Michon, Julius Orion Iii Smith, Matthew Wright, and Chris Chafe",soft,an iPad-based musical instrument leveraging the concepts of augmented mobile device and hybrid physical model controller,https://nime.org/proc/michon2016/index.html,
548,2016,Hitmachine,"Kasper buhl Jakobsen, Marianne Graves Petersen, Majken Kirkegaard Rasmussen, Jens Emil Groenbaek, jakob winge, and jeppe stougaard",hard, lets you build and play your own musical instruments from Legos and sensors ,https://nime.org/proc/jakobsen2016/index.html,
549,2016,The Laptop Accordion,"Aidan Meacham, Sanjay Kannan, and Ge Wang",soft," co-opts the commodity laptop computer to craft an expressive, whimsical accordion-like instrument",https://nime.org/proc/meacham2016/index.html,
550,2016,Focal,"Stewart Greenhill, and Cathie Travers",hard,"An Eye-Tracking Musical Expression Controller. see-through head-mounted display projects virtual dials and switches into the visual field. performer controls these with a single expression pedal, switching context by glancing at the object they wish to control.",https://nime.org/proc/greenhill2016/index.html,
551,2016,The HandSolo,"Kunal Jathal, and Tae-Hong Park",soft,"a timbre-based drum controller that allows the use of natural, hand-drumming strokes, whilst offering the same end-goal functionality that percussion controller users have come to expect over the past decade. it is a piezo mic with software.",https://nime.org/proc/jathal2016/index.html,
552,2016,Crowd in C[loud],"Antonio Deusany de Carvalho Junior, Sang Won Lee, and Georg Essl",soft,enables audience participation on a large scale using the audience audience's smartphones,https://nime.org/proc/carvalhojunior2016/index.html,
553,2016,The Open Symphony,"Leshao Zhang, Yongmeng Wu, and Mathieu Barthet",soft,a client/server architecture enabling bidirectional communication of creative data,https://nime.org/proc/zhang2016/index.html,
554,2016,Multi Rubbing Tactile Instrument (MRTI2015),Yoichi Nagashima,hard,"Inside the egg-like plastic case, this instrument has eight blue-LEDs which are controlled by the host in order to display the grasping nuances. based on PAW sensor by RT corporation.",https://nime.org/proc/nagashim2016/index.html,
555,2016,The extended clarinet,"Carl Jürgen Normark, Peter Parnes, Robert Ek, and Harald Andersson",hard,The clarinet bell is extended with sensor technology,https://nime.org/proc/normark2016/index.html,
556,2016,Dooremi,"Rebecca Kleinberger, and Akito van Troyer",hard," a musical door that interactively plays sounds, melodies, and sound textures when in use",https://nime.org/proc/kleinberger2016/index.html,
557,2016,The Driftwood ,"Alexandra Rieger, and Spencer Topel",hard,"maneuverable sculptural instrument & controller.  Closed circuit sensors, moving wooden parts and Piezo microphones.",https://nime.org/proc/rieger2016/index.html,
558,2016,StrumBot,"Richard Vindriis, and Dale Carnegie",hard,standalone six stringed robotic guitar consisting of mechanisms designed to enable musical expressivity and minimise acoustic noise,https://nime.org/proc/vindriis2016/index.html,
559,2016,NAKANISYNTH,"Kyosuke Nakanishi, Paul Haimes, Tetsuaki Baba, and Kumiko Kushiyama",soft,An Intuitive Freehand Drawing Waveform Synthesiser Application for iOS Devices,https://nime.org/proc/nakanishi2016/index.html,
560,2016,SensorChimes,"Evan Lynch, and Joseph Paradiso",soft, a composition framework that facilitates novel musical mappings for large-scale distributed networks of environmental sensors,https://nime.org/proc/lynch2016/index.html,
561,2016,The Hexenkessel,Jacob T. Sello,hard, a classical timpani with its drumhead acting as a tangible user interface for expressive multimedia performances on stage,https://nime.org/proc/sello2016/index.html,
562,2016,Music Maker,"Sasha Leitman, and John Granzow",soft, a free online resource that provides files for 3D printing woodwind and brass mouthpieces and tutorials for using those mouthpieces to learn about acoustics and music,https://nime.org/proc/leitman2016/index.html,
563,2016,Drum-Dance-Music-Machine (DDMM),"Dominic Becking, Christine Steinmeier, and Philipp Kroos",soft,"a modular and reactive system for dynamic composition with accessible interfaces, divided into distinct plugins usable in a standard digital audio workstation. Kinect based.",https://nime.org/proc/becking2016/index.html,
564,2016,Haptic Music Player,"Alfonso Balandra, Hironori Mitake, and Shoichi Hasegawa",soft,"An entertainment environment to enrich music listening experience. a MIDI player, a music animation and a haptic module that translates the notes played by one instrument into a resemblant vibration",https://nime.org/proc/balandra2016/index.html,
565,2016,The Wheel Quintet,"Anders Lind, and Daniel Nylén",hard,musical instrument comprising four bicycle wheels and a skateboard,https://nime.org/proc/lind2016/index.html,
566,2016,MalletOTon and the Modulets,"Ajay Kapur, Jim Murphy, Michael Darling, Eric Heep, Bruce Lott, and Ness Morris",hard, musical robot systems and an accompanying driver electronics array,https://nime.org/proc/kapur2016/index.html,
567,2016,The `Virtualmonium',"Natasha Barrett, and Alexander Refsum Jensenius",soft,an instrument for classical diffusion performance over an acousmonium emulated in higher-order Ambisonics,https://nime.org/proc/barrett2016/index.html,
568,2016,speaker.motion,"Bridget Johnson, Michael Norris, and Ajay Kapur",hard,A Mechatronic Loudspeaker System for Live Spatialisation,https://nime.org/proc/johnson2016/index.html,
569,2016,The Global Metronome,"Reid Oda, and Rebecca Fiebrink",hard,"a simple, computationally cheap method to obtain absolute tempo synchronization, using a GPS-connected Raspberry Pi that can be built for under $100",https://nime.org/proc/oda2016/index.html,
570,2016,Very Slack Strings,"Edgar Berdahl, Andrew Pfalz, and Stephen David Beck",soft,"physical model of strigns,  that can be very easily displaced, bent, tugged upon. implemented for laptop orchestras",https://nime.org/proc/berdahl2016a/index.html,
571,2016,Tango,Henning Berg,soft,oftware for Computer-Human Improvisation developed for more than 25 years ,https://nime.org/proc/berg2016/index.html,
572,2016,Tromba Moderna,"Alex Baldwin, Troels Hammer, Edvinas Pechiulis, Peter Williams, Dan Overholt, and Stefania Serafin",hard,A Digitally Augmented Medieval Instrument,https://nime.org/proc/baldwin2016/index.html,
573,2016,SpectraScore VR,Benedict Carey,soft,Networkable virtual reality software tools for real-time composition and performance,https://nime.org/proc/carey2016a/index.html,
574,2016,The Closed-Loop Robotic Glockenspiel,"Jason Long, Dale Carnegie, and Ajay Kapur",hard, Improving Musical Robots with Embedded Musical Information Retrieval,https://nime.org/proc/long2016/index.html,
575,2016,The Haptic Capstans,"Eric Sheffield, Edgar Berdahl, and Andrew Pfalz",hard, two rotational force-feedback knobs circumscribed by eye-catching LED rings,https://nime.org/proc/sheffield2016/index.html,
576,2017,Song Kernel,"Juan Bender, Gabriel Lecup, and Sergio Fernandez",hard,a chord-and-note harmonizing musical input interface applicable to electronic instruments in both hardware and software format,https://nime.org/proc/jbender2017/index.html,
577,2017,Music Everywhere,"Seth Glickman, Byunghwan Lee, Fu Yen Hsiao, and Shantanu Das",soft,an augmented reality (AR) piano learning tool that uses a Microsoft HoloLens and a MIDI-over-Bluetooth-enabled electric piano,https://nime.org/proc/sglickman2017/index.html,
578,2017,Feedboxes,Krzysztof Cybulski,hard,"interactive sound objects that generate rhythmic and harmonic patterns. based on Android smartphones, which run PD via PdDroidParty (libPD)",https://nime.org/proc/kcybulski2017/index.html,
579,2017,JamSketch,"Tetsuro Kitahara, Sergio Giraldo, and Rafael Ramírez",soft,a real-time improvisation support system which automatically generates melodies according to melodic outlines drawn by the users,https://nime.org/proc/tkitahara2017/index.html,
580,2017,"the Stride, the Stride IDE, the Saturn M7 ","Joseph Tilbian, Andres Cabrera, Steffen Martin, and Lukasz Olczyk",hard,"the Stride programming language, the Stride IDE, and the Saturn M7 embedded audio development board based on STM32",https://nime.org/proc/jtilbian2017a/index.html,
581,2017,Kalimbo,Rob Blazey,hard," an extended kalimba, built from repurposed materials and fitted with sensors that enable it to function as a reductionist control interface through physical gestures and capacitive sensing",https://nime.org/proc/rblazey2017/index.html,
582,2017,Arcontinuo,"Rodrigo Cadiz, and Alvaro Sylleros",hard,"contains a curved surface which is posed/strapped over the shoulders and allows
for an ergonomic coupling with the user. The surface is 3D, resilient, elastic and continuous, allowing for fluid execution. with XYZ axes.",https://nime.org/proc/rcadiz2017/index.html,
583,2017,MicroJam,"Charles Martin, and Jim Torresen",soft,An App for Sharing Tiny Touch-Screen Performances,https://nime.org/proc/cmartin2017/index.html,
584,2017,"Rubik's Cube, Music's Cube","Richard Polfreman, and Benjamin Oliver",soft,CV-based.  explorations of the cube as a performance controller for music,https://nime.org/proc/rpolfreman2017/index.html,
585,2017,Locus Sono,Scott Smallwood,soft,a 3D audio puzzle game where listening and exploration are the key forms of interaction,https://nime.org/proc/ssmallwood2017/index.html,
586,2017,The Mutantrumpet,Ben Neill,hard,a hybrid electro-acoustic instrument based on trumpet,https://nime.org/proc/bneill2017/index.html,
587,2017,Robotically Augmented Electric Guitar,"Takumi Ogata, and Gil Weinberg",hard,allows the human and actuators to produce sounds jointly; there exists a distributed control between the human and robotic components,https://nime.org/proc/togata2017/index.html,
588,2017,OOPS,"Michael Mulshine, and Jeff Snyder",soft,An Audio Synthesis Library in C for Embedded (and Other) Applications,https://nime.org/proc/mmulshine2017/index.html,
589,2017,"GeKiPe (Geste, Kinect, Percussion)","José Miguel Fernandez, Thomas Köppel, Nina Verstraete, Grégoire Lorieux, Alexander Vert, and Philippe Spiesser",hard,a gesture-based interface for audiovisual performance. it is Kinect based with additional sensors.,https://nime.org/proc/jfernandez2017/index.html,
590,2017,Responsive User Body Suit (RUBS),"Kiran Bhumber, Bob Pritchard, and Kitty Rodé",hard, a tactile instrument worn by performers that allows the generation and manipulation of audio output using touch triggers,https://nime.org/proc/kbhumber2017/index.html,
591,2017,SATIE,"Nicolas Bouillot, Zack Settel, and Michal Seta",soft,a live and scalable 3D audio scene rendering environment for large multi-channel loudspeaker configurations,https://nime.org/proc/nbouillot2017/index.html,
592,2017,Ghostfinger,Staas de Jong,hard, a technology for highly dynamic up/down fingertip haptics and control,https://nime.org/proc/sjong2017/index.html,
593,2017,The Fragment String,"Spencer Salazar, Sarah Reid, and Daniel McNamara",hard,"digital musical instrument designed to reinterpret and reflect upon the sounds of the instruments it is performed in collaboration with. The paper is not very clear about the fact, that it's main control unit is a repurposed market-available""Gametrak"" golf gaming controller. This is only mentioned on 2nd page. ",https://nime.org/proc/ssalazar2017a/index.html,
594,2017,FabricKeyboard,"Irmandy Wicaksono, and Joseph Paradiso",hard,Multimodal Textile Sensate Media as an Expressive and Deformable Musical Interface,https://nime.org/proc/iwicaksono2017/index.html,
595,2017,Cyther,"Scott Barton, Ethan Prihar, and Paulo Carvalho",hard,"a Human-playable, Self-tuning Robotic Zither. ",https://nime.org/proc/sbarton2017/index.html,
596,2017,Glasstra,"Ivica Bukvic, and Spencer Lee",soft,"an Android/Google Glass networked display designed to project real-time orchestra status to the conductor,",https://nime.org/proc/ibukvic2017/index.html,
597,2017,SALTO  (Sonic Aerialist eLecTrOacoustic system),Christiana Rose,soft," system incorporates aerial dance trapeze movement, sensors, digital synthesis, and electroacoustic composition. based on market-available MYO armband controller.",https://nime.org/proc/crose2017/index.html,
598,2017,ArraYnger,"Benjamin Smith, and Neal Anderson",soft,Interface for Interactive 360° Spatialization,https://nime.org/proc/bsmith2017/index.html,
599,2017,Insight2OSC,"Constanza Levican, Andres Aparicio, Vernon Belaunde, and Rodrigo Cadiz",soft,Emotiv-based OSC instrument for brain waves,https://nime.org/proc/clevican2017/index.html,
600,2017,The Feral Cello,Tom Davis,hard,augmented or actuated instrument. paper is more focused on philosophy.,https://nime.org/proc/tdavis2017/index.html,
601,2017,The JoyStyx,"Matthew Blessing, and Edgar Berdahl",hard, four embedded acoustic instruments,https://nime.org/proc/mblessing2017/index.html,
602,2017,HIVE,a parametrically designed interactive sound sculpture with embedded multi-channel digital audio which explores the intersection of sculptural form and musical instrument design,hard,"Solen Kiratli, Akshay Cadambi, and Yon Visell",https://nime.org/proc/skiratli2017/index.html,
603,2017,Bloom,"Sam Ferguson, Anthony Rowe, Oliver Bown, Liam Birtles, and Chris Bennewith",hard,"a light and sound installation made up of 1000 distributed independent audio-visual pixel devices, each with RGB LEDs, Wifi, Accelerometer, GPS sensor, and sound hardware",https://nime.org/proc/sferguson2017/index.html,
604,2017,AmbiDice,"Axel Berndt, Simon Waloschek, Aristotelis Hadjakos, and Alexander Leemhuis",hard,An Ambient Music Interface for Tabletop Role-Playing Games,https://nime.org/proc/aberndt2017/index.html,
605,2017,Vokinesis,"Samuel Delalez, and Christophe d'Alessandro",soft,a system for real-time rhythm and pitch modification and control of singing,https://nime.org/proc/sdelalez2017/index.html,
606,2017,MM-RT (material and magnet - rhythm and timbre),Akito van Troyer,hard, a tabletop musical instrument equipped with electromagnetic actuators to offer a new paradigm of musical expression,https://nime.org/proc/atroyer2017/index.html,
607,2017,Revgest,"Florent Berthaut, Cagan Arslan, and Laurent Grisoni",soft,extending gestural musical instruments using revealed augmented reality. Revgest in a setup with two projectors and one depth camera for public performance. It uses some haptic glove - inclear.,https://nime.org/proc/fberthaut2017/index.html,
608,2017,VRMin,"David Johnson, and George Tzanetakis",soft,Mixed Reality to Augment the Theremin for Musical Tutoring,https://nime.org/proc/djohnson2017/index.html,
609,2017,gibberwocky,"Charles Roberts, and Graham Wakefield",soft,Live-Coding Instruments for Musical Performance,https://nime.org/proc/croberts2017/index.html,
610,2017,Exquisite Score,"Daniel Manesh, and Eran Egozy",soft,A System for Collaborative Musical Composition,https://nime.org/proc/dmanesh2017/index.html,
611,2017,Biostomp,"Cagri Erdem, Anil Camci, and Angus Forbes",hard,A Biocontrol System for Embodied Performance Using Mechanomyography,https://nime.org/proc/cerdem2017/index.html,
612,2017,Pitch Fork,"Peter Williams, and Daniel Overholt",hard," alternate, actuated digital musical instrument (DMI). It uses 5 infra-red and 4 piezoelectric sensors to control an additive synthesis engine",https://nime.org/proc/pwilliams2017a/index.html,
613,2017,Osiris,Martín Matus Lerner,hard,a liquid based digital musical instrument,https://nime.org/proc/mlerner2017/index.html,
614,2017,Fragile Instruments,"Don Derek Haddad, Xiao Xiao, Tod Machover, and Joseph Paradiso",hard,series of Destructible Musical Interfaces,https://nime.org/proc/dhaddad2017/index.html,
615,2017,Self-resonating Feedback Cello,"Alice Eldridge, and Chris Kiefer",hard,actuated instrument in which feedback can be induced independently on each string,https://nime.org/proc/aeldridge2017/index.html,
616,2017,bEADS,"Peter Williams, and Daniel Overholt",hard,Extended Actuated Digital Shaker.utilises the gestural vocabulary associated with shaken idiophones,https://nime.org/proc/pwilliams2017/index.html,
617,2018,Robotic Percussive Aerophones,"Scott Barton, Karl Sundberg, Andrew Walter, Linda Sara Baker, Tanuj Sane, and Alexander O'Brien",hard," configurable, modular, scalable, and can be constructed from commonly found materials",https://nime.org/proc/barton2018/index.html,
618,2018,Guitar Machine,"Sang-won Leigh, and Pattie Maes",hard,Robotic Fretting Augmentation for Hybrid Human-Machine Guitar Play,https://nime.org/proc/leigh2018/index.html,
619,2018,Fuzzy Logic Control Toolkit 2.0 (FLCTK),"Rodrigo F. Cádiz, and Marie Gonzalez-Inostroza",soft,fuzzy logic externals for MAX and PD,https://nime.org/proc/cadiz2018/index.html,
620,2018,mechanoise instruments,Eric Sheffield,hard,embedded acoustic instruments with use of mechatronic components (e.g. DC motors and solenoids),https://nime.org/proc/sheffield2018/index.html,
621,2018,The Feedback Trombone  (FBT),"Jeff Snyder, Michael R Mulshine, and Rajeev S Erramilli",hard,"extends the traditional acoustic trombone interface with a speaker, microphone, and custom analog and digital hardware. it reminds The Augmented Trombone from 2006 and the Double Slide Controller from 2009.",https://nime.org/proc/snyder2018/index.html,
622,2018,Embedded Digital Shakers,Andrew Piepenbrink,hard,Handheld Physical Modeling Synthesizers,https://nime.org/proc/piepenbrink2018/index.html,
623,2018,The Whammy Bar,"Martin M Kristoffersen, and Trond Engum",hard, digital effects controller for electric guitar based upon the whammy bar as a user interface,https://nime.org/proc/kristoffersen2018/index.html,
624,2018,CubeHarmonic,"Maria C. Mannone, Eri Kitamura, Jiawei Huang, Ryo Sugawara, and Yoshifumi Kitamura",soft,"based on  IM3D trackig system (Tohoku University), which precisely tracks positions of tiny, wireless, battery-less, and identifiable LC coils in real time.",https://nime.org/proc/mannone2018/index.html,
625,2018,The Orchestra of Speech,Daniel Formo,soft,"this short papaer does not give much detail about hte instruemtns itself other then it is probably a software, based on some linguistic properties.",https://nime.org/proc/formo2018/index.html,
626,2018,Alto.Glove,Seth Dominicus Thorn,hard,a sensor-embedded glove to extend his performance abilities on violin,https://nime.org/proc/thorn2018/index.html,
627,2018,CS1,"Giacomo Lepri, and Andrew P. McPherson",hard,"an aesthetically reversed typewriter, which is used as a critical statement about the history of finger-touch control and HID dev exchange between QWERTY keyboard and harpsichord (music keys)",https://nime.org/proc/lepri2018/index.html,
628,2018,robotcowboy,Dan Wilcox,hard,10 years of human-computer wearable performance project,https://nime.org/proc/wilcox2018/index.html,
629,2018,Telemetron,"Sands A. Fish II, and Nicole L'Huillier",hard,the first musical instrument specifically designed for and tested in the zero gravity environment,https://nime.org/proc/fish2018/index.html,
630,2018,The Actuated Guitar,"Jeppe Larsen, Hendrik Knoche, and Dan Overholt",hard,"a strumming device controlled by a foot pedal , designed for research of post-stroke guitarists recovery.",https://nime.org/proc/larsen2018/index.html,
631,2018,L2OrkMote,"Kyriakos Tsoukalas, Joseph Kubalak, and Ivica Ico Bukvic",hard,"new controller offers unrestricted two-hand gesture production, smaller footprint, and lower muscle strain. it is a hand held and wrist-bended 3D printed device.",https://nime.org/proc/tsoukalasb2018/index.html,
632,2018,The halldorophone,Halldór Úlfarsson,hard, electroacoustic cello-like drone string instrument which makes use of positive feedback as a key element in generating its sound,https://nime.org/proc/ulfarsson2018/index.html,
633,2018,Triplexer,"Steven Leib, and Anıl Çamcı",hard,An Expression Pedal with New Degrees of Freedom. based on industrial haevy weight sensors,https://nime.org/proc/leib2018/index.html,
634,2018,JythonMusic,"Bill Manaris, Pangur Brougham-Cook, Dana Hughes, and Andrew R. Brown",soft,based on jMusic (python).  software environment for developing interactive musical experiences and systems,https://nime.org/proc/manaris2018/index.html,
635,2018,The Digital Orchestra Toolbox for Max,"Joseph Malloch, Marlon Mario Schumacher, Stephen Sinclair, and Marcelo Wanderley",soft,open-source collection of small modular software tools for aiding the development of Digital Musical Instruments,https://nime.org/proc/malloch2018/index.html,
636,2018,InterFACE,"Deepak Chandran, and Ge Wang",soft,"interactive system for musical creation, mediated primarily through the user's facial expressions and movements. C++ and OpenFrameworks for GUI ",https://nime.org/proc/chandran2018/index.html,
637,2018,CTRL,"John Harding, Richard Graham, and Edwin Park",hard,"interface for the production and distribution of high resolution analog control signals, particularly aimed toward the control of analog modular synthesisers",https://nime.org/proc/harding2018/index.html,
638,2018,Playsound.space,"Ariane de Souza Stolfi, Miguel Ceriani, Luca Turchet, and Mathieu Barthet",soft,"web-based tool to search for and play Creative Commons licensed-sounds which can be applied to free improvisation, experimental music production and soundscape composition",https://nime.org/proc/stolfi2018/index.html,
639,2018,GuitarAMI and GuiaRT,"Eduardo Meneses, Sergio Freire, and Marcelo Wanderley",hard,two independent yet complementary projects on augmented nylon guitars,https://nime.org/proc/meneses2018/index.html,
640,2018,Limanote LED,"James Granger, Mateo Aviles, Joshua Kirby, Austin Griffin, Johnny Yoon, Raniero A. Lara-Garduno, and Tracy Hammond",hard,LEF array augmentation control for Lumanote piano teaching and composition web-based tool.,https://nime.org/proc/granger2018/index.html,
641,2018,Neurythmic,"Daniel Bennett, Peter Bennett, and Anne Roudaut",soft,A Rhythm Creation Tool Based on Central Pattern Generators (CPGs) - neural networks which generate adaptive rhythmic signals,https://nime.org/proc/bennett2018/index.html,
642,2018,K-12 Mechatronic NIME Kit,"Kyriakos Tsoukalas, and Ivica Ico Bukvic",hard,additions to the Pd-L2Ork visual programing environment and its K-12 learning module. based on RPi.,https://nime.org/proc/tsoukalas2018/index.html,
643,2018,The T-Stick,"Alex Nieva, Johnty Wang, Joseph Malloch, and Marcelo Wanderley",hard,about T-Stick from 2007. Maintaining a 12 year-old Digital Musical Instrument,https://nime.org/proc/nieva2018/index.html,
644,2018,ShIFT,"gus xia, and Roger B. Dannenberg",hard,A Semi-haptic Interface for Flute Tutoring,https://nime.org/proc/xia2018/index.html,
645,2018,GrainTrain,Anıl Çamcı,soft,"A Hand-drawn Multi-touch Interface for Granular Synthesis. using the WebAudio API, the WebGL library Three.js, HTML5 and CSS. therefore runs on multiple hardware platforms (i.e. desktop and mobile computers) and operating systems(e.g., iOS and Android).",https://nime.org/proc/camci2018/index.html,
646,2018,modosc,"Federico Visi, and Luke Dahl",soft,a set of Max abstractions designed for computing motion descriptors from raw motion capture data in real time,https://nime.org/proc/visi2018/index.html,
647,2018,Myo Mapper,"Balandino Di Donato, Jamie Bullock, and Atau Tanaka",soft,a Myo armband to OSC mapper,https://nime.org/proc/didonato2018/index.html,
648,2018,GestureRNN,Lamtharn Hantrakul,soft,A neural gesture system for the Roli Lightpad Block,https://nime.org/proc/hantrakul2018/index.html,
649,2018,Chunity,"Jack Atherton, and Ge Wang",soft,Chuck for Unity. ,https://nime.org/proc/atherton2018/index.html,
650,2018,Sansa,"McLean J Macionis, and Ajay Kapur",hard,A Modified Sansula for Extended Compositional Techniques Using Machine Learning. based on Teensy and XBee.,https://nime.org/proc/macionis2018/index.html,
651,2018,Harmonic Wand,"Ben Luca Robertson, and Luke Dahl",hard," a transducer-based instrument that combines physical excitation, synthesis, and gestural control",https://nime.org/proc/robertson2018/index.html,
652,2018,MOM,"Ali Momeni, Daniel McNamara, and Jesse Stiles",hard,Extensible Platform for Rapid Prototyping and Design of Electroacoustic Instruments,https://nime.org/proc/momeni2018/index.html,
653,2018,Siren,"Mert Toka, Can Ince, and Mehmet Aydin Baytas",soft,a hybrid system for algorithmic composition and live-coding performances,https://nime.org/proc/toka2018/index.html,
654,2018,The Theremin Textural Expander (TTE),Rachel Gibson,soft,"it is a MAX patch, which extends Theremin.",https://nime.org/proc/gibson2018/index.html,
655,2018,The XT Synth,Gustavo Oliveira da Silveira,hard,Controller for String Players,https://nime.org/proc/oliveira2018/index.html,
656,2018,CABOTO,Riccardo Marogna,soft,A Graphic-Based Interactive System for Composing and Performing Electronic Music,https://nime.org/proc/marogna2018/index.html,
657,2018,Kinesynth,"Don Derek Haddad, and Joe Paradiso",hard,"a Hybrid Kinesthetic Synthesizer,  that uses the human body as both an analog mixer and as a modulator using a combination of capacitive sensing in ""transmit"" mode and skin conductance",https://nime.org/proc/haddad2018/index.html,
658,2018,AM MODE,"Cory Champion, and Mo H Zareei",soft,"Programmed in Max/MSP, the software uses live audio input from individual instruments within the drum set as control parameters for modulation synthesis",https://nime.org/proc/champion2018/index.html,
659,2018,Aphysical Unmodeling Instrument,"Tomoya Matsuura, and kazuhiro jo",hard,sound installation that re-physicalizes the Whirlwind meta-wind-instrument physical model,https://nime.org/proc/matsuura2018/index.html,
660,2018,Musebots,"Andrew R. Brown, Matthew Horrigan, Arne Eigenfeldt, Toby Gifford, Daniel Field, and Jon McCormack",hard,"autonomous musical agents that interact with other musebots to produce music. paper has no pictures. it claims Musebots were ""inagurated"" in 2015, but no NIME papers can be found with their mention.",https://nime.org/proc/brown2018/index.html,
661,2019,IllumiWear,Josh Urban Davis,hard,A Fiber-Optic eTextile for MultiMedia Interactions,https://nime.org/proc/davis2019/index.html,
662,2019,"Mechatronic chordophones : Guitarbot, Mechbass, Swivel, Protochord","Juan Pablo Yepez Placencia, Jim Murphy, and Dale Carnegie",hard, iterative design and rapid prototyping strategies to develop and refine a compact picker capable of creating dynamic variations reliably for various mechatronic chordophones.,https://nime.org/proc/yepezplacencia2019/index.html,
663,2019,“voice” instrument,"Fou Yoshimura, and kazuhiro jo",hard,instrument based on vocal tract models by using soft material for a 3D printer and an electrolarynx,https://nime.org/proc/yoshimura2019/index.html,
664,2019, the 20N02 module,"Don Derek Haddad, and Joe Paradiso",hard,a versatile module for Eurorack synthesizers that allows multiple modular synthesizers to be patched together remotely through the world wide web. based on ESP.,https://nime.org/proc/haddad2019/index.html,
665,2019,AuSynthAR,Pedro Pablo Lucas,soft,A simple low-cost modular synthesizer based on Augmented Reality. CV based. custom designed tokens. Built with Unity3D and Vuforia for AR - sending MIDI from an Android device.,https://nime.org/proc/lucasc2019/index.html,
666,2019,Stellar Command,Angelo Fraietta,soft,a planetarium software based cosmic performance interface: Stellarium planetarium software coupled with the VizieR database of astronomical catalogues ,https://nime.org/proc/fraiettab2019/index.html,
667,2019,HMusic,"Andre Rauber Du Bois, and Rodrigo Geraldo Ribeiro",soft,A domain specific language for music programming and live coding,https://nime.org/proc/rauberdubois2019/index.html,
668,2019,Reach,"Niccolò Granieri, and James Dooley",soft,"a keyboard-based gesture recognition system for live piano sound modulation. using the Leap Motion Orion SDK, Pure Data and a custom C++ OSC mapper",https://nime.org/proc/granieri2019/index.html,
669,2019,CD-Synth,"Patrick Chwalek, and Joe Paradiso",hard,"untethered digital synthesizer that can be held and manipulated while broadcasting audio data to a receiving off-the-shelf Bluetooth receiver. a suite of sensors that convert rotation, orientation, touch, and user proximity into various audio filters and effects operated on preset wave tables, while offering a persistence of vision display for input visualization",https://nime.org/proc/chwalek2019/index.html,
670,2019,HypeSax : Un-mute,"Cristohper Ramos Flores, Jim Murphy, and Michael Norris",hard,a hybrid system allows an acoustic integration between the sound of acoustic saxophone and electronics,https://nime.org/proc/ramosflores2019/index.html,
671,2019,PICO,"Julian Jaramillo, and Fernando Iazzetta",hard,"portable audio effect system created with Pure Data and the Raspberry Pi, which augments traditional plucked string instruments ",https://nime.org/proc/jaramillo2019/index.html,
672,2019,Mesh Garden,Tate Carson,soft,allows a group of people in a relaxed situation to create a piece of ambient music using their smartphones networked through the internet,https://nime.org/proc/carson2019/index.html,
673,2019,Bendit_I/O,"Anthony T. Marasco, Edgar Berdahl, and Jesse Allison",hard,A System for Networked Performance of Circuit-Bent Devices,https://nime.org/proc/marasco2019/index.html,
674,2019,Veneer,Vesa Petri Norilo,soft,Visual and Touch-based Programming for Audio. touch-ready programming interface for the Kronos programming language,https://nime.org/proc/norilo2019/index.html,
675,2019,Eolos,Juan Mariano Ramos,hard,a wireless MIDI wind controller,https://nime.org/proc/ramos2019/index.html,
676,2019,Grain Prism,"Gabriela Bila Advincula, Don Derek Haddad, and Kent Larson",hard,Hieroglyphic Interface for Granular Sampling. based on Teensy.,https://nime.org/proc/advincula2019/index.html,
677,2019,The SlowQin,"Echo Ho, Prof. Dr. Phil. Alberto de Campo, and Hannes Hoelzl",hard,a hybrid resemblance of the Guqin and a fully functioning wireless interface to interact with computer software,https://nime.org/proc/ho2019/index.html,
678,2019,Locus,"Disha Sardana, Woohun Joo, Ivica Ico Bukvic, and Greg Earle",soft,"a NIME for Immersive Exocentric Aural Environments. specifically for an interactive, immersive high density loudspeaker array environment. baes on CV, gloves with markers.",https://nime.org/proc/sardana2019/index.html,
679,2019,INTIMAL,"Ximena Alarcon Diaz, Victor Evaristo Gonzalez Sanchez, and Cagri Erdem",soft,"a physical virtual embodied system for relational listening that integrates body movement, oral archives, and voice expression through telematic improvisatory performance in migratory contexts. MoCap based.",https://nime.org/proc/alarcondiaz2019/index.html,
680,2019,MIGSI,"Sarah Reid, Ryan Gaston, and Ajay Kapur",hard,an electronically augmented trumpet ,https://nime.org/proc/reid2019/index.html,
681,2019,BLIKSEM,"Lloyd May, and spencer topel",hard,An Acoustic Synthesis Fuzz Pedal,https://nime.org/proc/may2019/index.html,
682,2019,Vrengt,"Cagri Erdem, Katja Henriksen Schia, and Alexander Refsum Jensenius",hard,A Shared Body-Machine Instrument for Music-Dance Performance,https://nime.org/proc/erdem2019/index.html,
683,2019,ESMERIL,"Cristiano Figueiró, Guilherme Soares, and Bruno Rohde",soft,"An interactive audio player and composition system for collaborative experimental music netlabels. Pd. LibPD, OpenFrameworks. ",https://nime.org/proc/figueiro2019/index.html,
684,2019,AMIGO,"Isabela Corintha Almeida, Giordano Cabral, and Professor Gilberto Bernardes Almeida",hard,"An Assistive Musical Instrument to Engage, Create and Learn Music",https://nime.org/proc/almeida2019/index.html,
685,2019,OtoKin,"Palle Dahlstedt, and Ami Skånberg Dahlstedt",soft,"Movement is tracked and mapped through extensive pre-processing to a high-dimensional acoustic space, using a many-to-many mapping. CV based.",https://nime.org/proc/dahlstedtb2019/index.html,
686,2019,The Rulers,"Vanessa Yaremchuk, Carolina Brum Medeiros, and Marcelo Wanderley",hard," a Digital Musical Instrument with 7 metal beams, each of which is fixed at one end. It uses infrared sensors, Hall sensors, and strain gauges to estimate deflection",https://nime.org/proc/yaremchuk2019/index.html,
687,2019,The Half-Physler,"Alex Hofmann, Vasileios Chatziioannou, Sebastian Schmutzhard, Gökberk Erdogan, and Alexander Mayer",hard," a hybrid physical modeling single reed instrument, where a virtual tube is coupled to a real mouthpiece with a sensor-equipped clarinet reed",https://nime.org/proc/hofmann2019/index.html,
688,2019,"CEQI (a Container (based) EQualisation user
Interface)","Christopher Dewey, and Jonathan P. Wakefield",soft,"It is a prototype for am interactive holographic equalizer using ghost-displey tehcnique and leap motion for hand tracking. The system uses HTML 5, JavaScript and the Web Audio API in conjunction with a Leap Motion controller and bespoke low budget projection system.",https://nime.org/proc/dewey2019/index.html,
689,2019,DRMMR,"Hunter Brown, and spencer topel",hard,a transducer based augmented percussion implement  based on nonlinear acoustic synthesis,https://nime.org/proc/brown2019/index.html,
690,2019,T-Voks,"Xiao Xiao, Grégoire Locqueville, Christophe d'Alessandro, and Boris Doval",hard,"an augmented theremin that controls Voks, a performative singing synthesizer",https://nime.org/proc/xiao2019/index.html,
691,2019,The Scale Navigator,"Nathan Turczan, and Ajay Kapur",soft,A System for Networked Algorithmic Harmony,https://nime.org/proc/turczan2019/index.html,
692,2019, The Skini platform,"Bertrand Petit, and manuel serrano",soft," implemented in Hop.js and HipHop.js. HipHop.js, a synchronous reactive DLS, is used for implementing the music scores as its elementary constructs consisting of high level operators",https://nime.org/proc/petit2019/index.html,
693,2019,Magpick,"Fabio Morreale, Andrea Guidi, and Andrew P. McPherson",hard,an Augmented Guitar Pick for Nuanced Control,https://nime.org/proc/morreale2019/index.html,
694,2019,"Taptop, Armtop, Blowtop","Doga Cavdir, Juan Sierra, and Ge Wang",soft,Evolving the Physical Laptop Instrument,https://nime.org/proc/cavdir2019/index.html,
695,2019,Libration Perturbed ,Palle Dahlstedt,hard,"an improvisation instrument, originally composed and designed for a multi-speaker dome. Multi-Touch Keyboard as Interface for a Physically Modelled Interconnected Resonating Super-Harp . Paper has no pictures.",https://nime.org/proc/dahlstedt2019/index.html,
696,2019,The Sponge,"Ajin Jiji Tom, Harish Jayanth Venkatesan, Ivan Franco, and Marcelo Wanderley",hard,"paper presents the challenges and approaches involved in rebuilding and re-interpreting an existing DMI, The Sponge by Martin Marier (from 2010). ",https://nime.org/proc/tom2019/index.html,
697,2019,SmartVox,Jonathan Bell,soft,looks like hybrid control system using Head-Mounted Display (HMD) technology . not very clear.,https://nime.org/proc/bell2019/index.html,
698,2019,SIBILIM,"Helena de Souza Nunes, Federico Visi, Lydia Helena Wohl Coelho, and Rodrigo Schramm",hard,"A low-cost customizable wireless musical interface,  composed of a resonance box made of cardboard containing customised push buttons that interact with a smartphone through its video camera",https://nime.org/proc/desouzanunes2019/index.html,
699,2019,The Symbaline,"Lior Arbel, Yoav Y. Schechner, and Noam Amir",hard,An Active Wine Glass Instrument with a Liquid Sloshing Vibrato Mechanism,https://nime.org/proc/arbel2019/index.html,