| 1 |
2001 |
The MATRIX |
Dan Overholt |
hard |
Multipurpose Array of Tactile Rods for Interactive eXpression. It gives users a 3dimensional tangible interface to control music using their hands. |
Link |
| 2 |
2001 |
The Accordiatron |
Michael Gurevich, Stephan von Muehlen |
hard |
MIDI controller for real-time performance based on the paradigm of a conventional squeeze box or concertina |
Link |
| 3 |
2002 |
The Hyperbow |
Diana Young |
hard |
violin interface |
Link |
| 4 |
2002 |
The Mutha Rubboard Controller |
Carr Wilkerson, Stefania Serafin, Carmen Ng |
hard |
a musical controller based on the rubboard, washboard or frottoir metaphor commonly used in the Zydeco music genre of South Louisiana |
Link |
| 5 |
2002 |
The Beatbug Network |
Gil Weinberg, Roberto Aimi, Kevin Jennings |
hard |
hand-held percussive instruments that allow the creation, manipulation, and sharing of rhythmic motifs through a simple interface |
Link |
| 6 |
2002 |
Tongue `n' Groove |
Florian Vogt, Graeme Mccaig, Mir A. Ali, Sidney S. Fels |
hard |
musical controller which acquires imaging data of the tongue with a two-dimensional medical ultrasound scanner |
Link |
| 7 |
2002 |
THE PLANK |
Bill Verplank, Michael Gurevich, Max Mathews |
hard |
has only one axis of force-feedback with limited range of motion |
Link |
| 8 |
2002 |
sutoolz 1.0 alpha |
Jordan Wynnychuk, Richard Porcher, Lucas Brajovic, Marko Brajovic, and Nacho Platas |
soft |
3D software interface for music performance |
Link |
| 9 |
2002 |
Audiopad |
James Patten, Ben Recht, and Hiroshi Ishii |
hard |
aims to combine the modularity of knob based controllers with the expressive character of multidimensional tracking interfaces |
Link |
| 10 |
2002 |
The MIKEY Project |
Roberto Oboe, and Giovanni De Poli |
hard |
a virtual keyboard, capable of reproducing the tactile feedback of several musical instruments is reported |
Link |
| 11 |
2002 |
The vBow |
Charles Nichols |
hard |
a virtual violin bow haptic human-computer interface, which senses bow position with encoders |
Link |
| 12 |
2002 |
the 2Hearts System |
Graeme Mccaig, and Sidney S. Fels |
hard |
a music system controlled bythe heartbeats of two people |
Link |
| 13 |
2002 |
The Vodhran |
Mark T. Marshall, Matthias Rath, and Breege Moynihan |
hard |
idea used is based on that of the traditional Bodhran instrument, an Irish frame drum |
Link |
| 14 |
2002 |
The Electronic Tabla Controller |
Ajay Kapur, Georg Essl, Philip L. Davidson, and Perry R. Cook |
hard |
The E-Tabla controls both sound and graphics simultaneously |
Link |
| 15 |
2002 |
The Termenova |
Leila Hasan, Nicholas Yu, and Joseph A. Paradiso |
hard |
combines a free-gesture capacitive sensing device with an optical sensing system that detects the reflection of a hand when it intersects a beam of an array of red lasers |
Link |
| 16 |
2002 |
Circular Optical Object Locator |
Tim Hankins, David Merrill, and Jocelyn Robert |
hard |
a collaborative and cooperative music-making device |
Link |
| 17 |
2002 |
Tooka |
Sidney S. Fels, and Florian Vogt |
hard |
three new music controllers, each designed to be played by two players |
Link |
| 18 |
2002 |
the Metasaxophone |
Matthew Burtner |
hard |
acoustic tenor saxophone retrofitted with an onboard computer microprocessor and an array of sensors that convert performance data into MIDI control messages |
Link |
| 19 |
2002 |
The Video-Organ |
Bert Bongers, and Yolande Harris |
hard |
an instrument for the live performance of audio-visual material |
Link |
| 20 |
2002 |
JAM-O-WORLD |
Tina Blaine, and Clifton Forlines |
hard |
the Jam-O-Drum multi-player musical controller and its adaptation into a gaming controller interface known as the Jam-O-Whirl |
Link |