PE2015

 

Fifteenth International Festival of Experimental Sound
Prepared Surroundings 2023

(informal dedication to John Cage)

 

(for Russian click here)

(for Kazakh click here)

(for Slovenian click here)

(for Armenian click here)

(for Spanish click here)

 

November 29 - Almaty: BULT
November 29 - Ljubljana: Cirkulacija 2
December 20 - Yerevan: Composers Union of Armenia
December 20 - Tijuana: NettNett Space

 

«Until I die there will be sounds. And they will continue following my death.
One need not fear about the future of music».
John Cage «Experimental Music» (1957)

 

Prepared Surroundings (PS) is one of the strangest sound festivals, which already exists for 15 years. As always, our focus is on experimentation with sound and technology.

PS operates according to the logic of "prepared" instruments, widely popularized by John Cage. However, from the very beginning, we declare a more abstract approach. Prepared Objects, Environments, Constructs. That's what awaits the audience at our shows. The easiest way to explain this is schematically: Object - something in front of the author, Environment - something around the author, Construct - a mental structure inside the author. In a sense, PS is a kind of creative voluntarism. Avant-garde within the avant-garde. A space for trials and radical experiments within the experimental scene. Those who have followed the Festival all these years know what this can lead to. At times, it seemed that we had strayed too far from music. Yes, but it was precisely this that made PS the first festival of sound culture in the Russian-speaking space. Indeed, from electroacoustic improvisations, we moved on to sensors, lasers, robots, swallowing tablets and setting grand pianos on fire, sound walks through the city, exploding mushrooms, and chemical experiments right on stage, compositions without a beginning and end, catching the ether, architecture, gallery exhibitions, teaching blind people echolocation, acupuncture, various types of tabletop and not only games, programming microchips, and dancing with dogs, etc. Artists from all over the world came to us, and over the years, PS has become a unique event that facilitates cultural exchange among non-profit art communities in the field of sound art. PS has become part of the international sound rhizome.

Over its long history, the Festival has undergone changes. From chamber concerts on Wednesdays to a series of interconnected events in different cities and countries over the course of months. PS is dedicated to experimental art and therefore has the freedom to experiment with forms of its own representation.

globaLocal proxyFest

This year, PS will take place simultaneously in different cities and countries, as always on Wednesdays. Two Wednesdays - four cities. Thanks to the initiative of an international group of curators and collaboration with local communities of artists and musicians, we are pleased to present events in Almaty (Kazakhstan) and Ljubljana (Slovenia) on November 29; and then in Yerevan (Armenia) and Tijuana (Mexico) on December 20.

The overall theme of PS this year is simultaneously a new speculative format: globaLocal proxyFest. The unusual distribution of the event across the globe while focusing on work in specific locations naturally prompts us to reflect on the connections between the global and the local, the singular and the multiple. In the context of art, copying always sparks discussions, but what is its vice if a copy is a way to preserve data from loss? PS launches its own proxies in different cities and countries. Will this be the same festival as the previous 14 years?

Each location's curator will propose their own theme for artistic interpretation. The themes are as follows:

Almaty: contacts / boundaries
Ljubljana: edges / borders
Yerevan: joinings / partings
Tijuana: dots / ties

We plan to conduct live events with audio-video broadcasts.

The world is changing, and the Festival changes with it, only our slogan remains unchanged already 15 years:
“Participants will demonstrate work with prepared objects, surroundings, constructs.”

 
 

Program:

 

 

29|11|23 WEDNESDAY 1

- concerts of prepared performances

 

--> Almaty : contacts / boundaries

- venue: BULT (Gagarin Avenue 83, Almaty, Kazakhstan)
- start time: 20:00 (local)
- admission: TBA

- participants:

Aruzhan Zhumabek + Klad Mineralov

Zoya Falkova

Aina

Laptop quartet

 

--> Ljubljana : edges / borders

- venue: Cirkulacija 2 (Podhod Ajdovščina 2, Ljubljana, Slovenia)
- start time: 20:00 (local)
- admission: TBA

- link to the LIVE-stream (start 20:00 local time)

- participants:

Lisokot (Varya Pavlova)

Ksenia Bakhtina

::vtol::

Boris Shershenkov

Stagnat

 

 

20|12|23 WEDNESDAY 2

- concerts of prepared performances

 

--> Yerevan : joinings / partings

- venue: Union of Composers of Armenia (Derenik Demirchyan Street 25, Yerevan, Armenia)
- start time: TBA
- admission: TBA

- participants:

Kay Khachatryan

Vardan Harutyunyan

Andrew Rylov

 

--> Tijuana : dots / ties

- venue: NettNett space (Constitución Avenue 720, Zona Centro, Tijuana, Mexico)
- start time: 19:30 (local)
- entrance fee: suggested donation from 50-200 pesos

- streaming link: YouTube

- participants:

Haydeé Jiménez

Mario D. Alvarado (MDAP)

Roberto Romero-Molina

sergey kasich

 

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Festival initiated by the SoundArtist.ru community

 

For accreditation: (link with contacts)

 

 

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organizers:

festival director: vitalina strekalova
curatorial group in Almaty: anastasia tolchneva + Bult
curator in Ljubljana: dmitriy morozov
curator in Yerevan: nikita prudnikov
curatorial group in Tijuana: sergey kasich + haydeé jiménez